Am Mittwoch, 21. Oktober 2015, um 19 Uhr findet im Audimax der Bauhaus-Universität Weimar die nächste Ausgabe der Reihe Bauhaus ARGUMENTE statt: diesmal mit Lisa Glauer und Ricardo Dominguez.
»»» in englischer Sprache «««
Ricardo Dominguez is a co-founder of The Electronic Disturbance Theater (EDT), a group who developed virtual sit-in technologies in solidarity with the Zapatistas communities in Chiapas, Mexico, in 1998. His recent Electronic Disturbance Theater 2.0/b.a.n.g. lab project ( http://bang.transreal.org/) with Brett Stalbaum, Micha Cardenas, Amy Sara Carroll, and Elle Mehrmand, the Transborder Immigrant Tool (a GPS cell phone safety net tool for crossing the Mexico/US border) was the winner of »Transnational Communities Award« (2008), an award funded by Cultural Contact, Endowment for Culture Mexico–US and handed out by the US Embassy in Mexico. It also was funded by CALIT2 and the UCSD Center for the Humanities. The Transborder Immigrant Tool has been exhibited at the 2010 California Biennial (OCMA), Toronto Free Gallery, Canada (2011), The Van Abbemuseum, Netherlands (2013), ZKM, Germany (2013), as well as a number of other national and international venues. The project was also under investigation by the US Congress in 2009-2010 and was reviewed by Glenn Beck in 2010 as a gesture that potentially »dissolved« the U.S. border with its poetry.
Dominguez is an associate professor at the University of California, San Diego, in the Visual Arts Department, a Hellman Fellow, and Principal/Principle Investigator at CALIT2 and the Performative Nano-Robotics Lab at SME, UCSD. He also is co-founder of *particle group*, with artists Diane Ludin, Nina Waisman, Amy Sara Carroll, whose art project about nano-toxicology entitled *Particles of Interest: Tales of the Matter Market* has been presented at the House of World Cultures, Berlin (2007), the San Diego Museum of Art (2008), Oi Futuro, Brazil (2008), CAL NanoSystems Institute, UCLA (2009), Medialab-Prado, Madrid (2009), E-Poetry Festival, Barcelona, Spain (2009), Nanosférica, NYU (2010), and SOMA, Mexico City, Mexico.
For Argumente, Ricardo Dominguez will talk about surveillance and Post-contemporary culture.
(2012):http://hemisphericinstitute.org/hemi/en/particle-group-intro.
Lisa Glauer taught in the MFA Program Public Art and New Artistic Strategies at Bauhaus-Universität Weimar from 2009 to 2015, focussing in particular on developing and implementing international projects. She grew up in London, Marseille, Rabat, Prague, Genoa and Athens. She studied Visual Art at State University of New York (BFA), Painting and Art History at Pratt Institute, New York (dual degree, MFA/MS), and Art in Context, at the University of the Arts, Berlin (MA), defending her PhD, focussing on (human) milk as drawing material, and historic science fiction imagery the at Bauhaus-Universität Weimar (summa cum laude).
She is co-founder of the project space arttransponder in Berlin and was its artistic co-director until 2009. arttransponder focuses on participatory art at the interface to other disciplines.
Selected projects: 2015 Selected, Haus am Horn, Weimar, 2014, Enjoy (Y)our State of Emergency, ngbk, Berlin, 2013, AKW, Athens Biennial, Invisibilities at the Edges, artistic resarch at the border of USA/Mexico (DAAD; UCSD): 2013, Later, she will build nuclear vessels, EGFK and Art and OKK, Berlin; 2012, Milky Images, Nano/Macro/Mega, Department of Structural Engineering, (UCSD); 2011, Beyond Reproduction, Kunsthaus Bethanien, Berlin; 2010, Oscillogrammes, 2B Gallery and Goethe Institute, Budapest; Re /Positioning: Critical Whiteness and Perspectives of Color (2009, ngbk, Berlin); 2005, The Missing Link, Schafler Gallery, New York.
For Argumente she will focus on historic and contemporary representations of surveillance in film, art and media.
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