Events

Media Ecologies, Research Machines, and Productions of Subjectivity

A Colloquium organised by Professorship for Media Theory and History of Science and the Freigeist project “Madness, Media, Milieus. Reconfiguring the Humanities in Postwar Europe”

When? The sessions will be held on select Tuesdays from 11:30 to 13:00, as listed in the program below.

Where? Seminarraum 003, Berkaer Straße 1, 99423 Weimar, Bauhaus University Weimar

How to attend? No registration required. Preparatory materials will be available for download one week before each presentation here: https://nextcloud.uni-weimar.de/s/efC5XbTwtBr29Ep (Password: 2iCeiKxsMN).

Contacts: Elena Vogman (elena.vogman@uni-weimar.de) and Marlon Miguel (marlon.miguel@uni-weimar.de)

Find the full program with bios and abstracts by clicking on the title or diagram.

April 8, 2025: Carlos A. Segovia (with a response by Martin Kempe)

“On difference as iridescence and humanity as an interface. Notes on subjectivity, machines and media(l) ecologies, after Félix Guattari”

April 22, 2025: Ana C. Minozzo

“Vibration as aesthetic paradigm: excess between the critical and clinical”

May 6, 2025: Adrienn Kácsor

“Migrant Constructivism”

May 20, 2025: tbc

tbc

May 27, 2025: Alexandra Selivanova

“Surrealism and Soviet Architecture of the 1930s: Thing-Like Buildings, Multilayered Shells, and Holes”

June 24, 2025: Keti Chukhrov

“Vygotsky’s Enigma of Internal Speech. Thought without Language”

Past Events

Bichos. Animal Fantasies between Art and Madness

Symposium, 14 – 15 Jun 2023

Organized by Delfina Cabrera, Marlon Miguel and Elena Vogman

An ICI Berlin Event in cooperation with the research project ‘Madness, Media, Milieus. Reconfiguring the Humanities in Postwar Europe’ (Volkswagen Stiftung/Bauhaus-Universität Weimar)

First came the world of the living, then life and death, after the dead, after the bichos and the animals, you make yourself comfortable as a bichos and as an animal.

Stella do Patrocínio

From the late 1960s onwards, Brazilian artist Lygia Clark (1920–1988) developed a series of unstable and manipulable sculptures that she named bichos — ‘beast’, ‘animal’, or ‘critter’. These unconventional objects constituted a turning point in Clark’s artistic trajectory as she progressively moved away from the Neo-Concrete Movement, shifting her focus towards the frontier between artistic and clinical practice. Already with the bichos, Clark thought about how spectators could transform and de-subjectivate themselves, perhaps becoming more than human by interacting with these abstract but nevertheless organic objects. Later, convinced that she could revitalize the field of art through psychotherapeutic techniques, Clark claimed that her work was ‘a state of art, without art’, where both art and the clinic could retrieve their critical potential vis-à-vis dominant modes of subjectivation.

[...]

Madness, Media, Milieus. Félix Guattari in Context

Conference; 17, 18 and 21 Jun 2021

Organized by Henning Schmidgen, Mathias Schönher, Elena Vogman

With Andrew Goffey, Angela Melitopoulos, Marlon Miguel, François Pain, Peter Pál Pelbart, Anne Querrien, and Anne Sauvagnargues

This conference explores Félix Guattari's (1930–1992) multifaceted oeuvre as largely informed by his many years of active work at the psychiatric clinic of La Borde.

International Atelier »Capitalism and Schizophrenia, Year 51« on 13-14 January 2023, at Museo Nacional Centro de Arte Reina Sofía, Madrid, in English

Organized by Elena Vogman and Marlon Miguel

In cooperation with Carles Guerra, Angela Melitopoulos & Matteo Pasquinelli

‘Madness, Media, Milieus. Reconfiguring the Humanities in Postwar Europe’, at Bauhaus-Universität Weimar in cooperation with Karlsruhe University of Arts and Design and Museo Nacional Centro de Arte Reina Sofía.

“How things turn fascist or revolutionary is the problem of the universal delirium about which everyone is silent, first of all and especially the psychiatrists”

“Every delirium is first of all the investment of a field that is social, economic, political, cultural, racial and racist, pedagogical, and religious”

–Anti-Oedipus: Capitalism and Schizophrenia

Assembling Milieus – Working the Camera after Fernand Deligny

Workshop; 28 and 29 Oct 2021

Organized by Marlon Miguel

An ICI Berlin Event in cooperation with the projects ‘La tentative Deligny’ (EUR ArTec) and ‘Madness, Media, Milieus. Reconfiguring the Humanities in Postwar Europe’ (Volkswagen Stiftung/ Bauhaus-Universität Weimar)

Mostly known for his experimentations with ‘maladjusted’ individuals and autistic children, and for his influence on the revolutions in post-war psychiatry, Fernand Deligny was neither director nor scriptwriter, certainly not a historian of cinema; his writings do not constitute a theory of the image. Nonetheless, cinema is constantly called into his practice, and images can be regarded as one of the main sources of his conceptual reflection.

Learning with Madness. François Tosquelles and the Invention of Institutional Psychotherapy

Atelier; 14-15 July 2022

Organized by Elena Vogman and Marlon Miguel

With contributions by Carles Guerra Rojas, Sophie Legrain, Henning Schmidgen, Elisabeth von Samsonow, Felix Brieden and Emanuel Almborg

Including a presentation of films and a series of talks by international scholars, the two-day workshop aims at exploring Tosquelles’ multidimensional practice, giving special attention to media as therapeutic instruments and processes of transference.

Reducing Climate

Symposium; 9 Jun 2022

Organized by Xenia Chiaramonte and Sarath Jakka

An ICI Event in cooperation with ‘Madness, Media, Milieus. Reconfiguring the Humanities in Postwar Europe’ (Volkswagen Stiftung/ Bauhaus-Universität Weimar)

The notion of reduction is central to the discourse on climate disaster and environmental collapse. A political understanding of climate has led to urgent calls for ever increasing measures aiming at reduction—for example reducing emissions or consumption. Such calls are based on the premise that there can be quantitative remedies to the current environmental disaster. However well-intentioned, earnest, and necessary such approaches are, this symposium would like to pose the provocative question whether the current will for quantitatively defined action against climate breakdown might actually be a symptom of—rather than a solution to—the problem at hand.