Titel : | Einführung in die europäische Filmgeschichte |
Name des Lehrenden : | Lars Nowak |
Aufstellung : | Aufstellung bis 15.07.2008 Limona Empore |
Verfasser, Titel | Signatur | Bemerkung |
Alphaville | Lg GodaJea/2 | |
Bazin, André: Jean Renoir | Lv RenoJea/1 | |
Böser, Ursula: The art of seeing, the art of listening | 223 220 | |
Bondanella, Peter: The films of Roberto Rosselini | Lv RossRob/1 | |
Bordwell, David: The cinema of Eisenstein | Lv EiseSer/1 | |
By angels driven | Lv JarmDer/5 | |
Dada and surrealist film | Lf 8300/10 | |
Deleuze, Gilles: Das Bewegungs-Bild | Lf 1082/11:1 | |
Deleuze, Gilles: Das Zeit-Bild | Lf 1082/11:2 | |
Early cinema | Lf 7100/2 | |
Ejzenstejn, Sergej M.: Das dynamische Quadtrat | Lv EiseSer/4 | |
Engell, Lorenz: Sinn und Industrie | Lf 0060/13 | |
Film before Griffith | Lf 0060/3 | |
Filmgeschichte schreiben | Lf 0060/14 | |
Die Früchte des Zorns und der Zärtlichkeit | Lv HuilDan/2 | |
Geschichte des sowjetischen und russischen Films | Lf 6600/10 | |
Geschichten des deutschen Films | Lf 6100/17 | |
Godard intermedial | Lv GodaJea/2 | |
Luis Bunuel's the discreet charm of the Bourgeoisie | Lv BunuLui/6 | |
MacCabe, Colin: The elequence of the vulgar | Lf 1082/38 | |
Marcus, Millicent Joy: Italian film in the light of neorealism | Lf 6500/3 | |
Morrey, Douglas: Jean-Luc Godard | 221 021 | |
Müller, Marion: Vexierbilder | Lv TrieLar/3 | |
O'Shaughnessy, Martin: Jean Renoir | Lv RenoJea/4 | |
Raabe, Beate: Explizitheit und Beschaulichkeit | Lf 6300/1 | |
Salt, Barry: Film style and technology | Lf 1073/7 | |
Sudmann, Andreas: Dogma 95 | Lf 6700/3 | |
Tesson, Charles: Luis Bunuel | Lv BunuLui/5 | |
Thompson, Kristin: Film history | Lf 0060/21 |
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