| Titel : | Die Wirklichkeitsoptionen des Film-Akustischen |
| Name des Lehrenden : | Dr. Ulrike Hanstein |
| Aufstellung : | Aufstellung bis 15.02.2010 Limona Empore |
| Verfasser, Titel | Signatur | Bemerkung |
| Adorno, Theodor W.: Komposition für den Film | Lf 3200/15 | |
| Altman, Rick: Silent film sound | Lf 3200/27 | |
| Brophy, Philip: 100 modern soundtracks | Lf 3200/25 | |
| Chion, Michel: Audio-vision | Lf 7200/2 | |
| Chion, Michel:The voice in cinema | Lf 3200/26(2) | |
| Dolar, Mladen: His master's voice | 222 929 | |
| Donnelly, K.J.: The spectre of sound | Lf 3200/23 | |
| Elsaesser, Thomas: Filmtheorie zur Einführung | Lf 1071/12 | befindet sich im Semesterapparat: Medien. Titel: Filmanalyse (MW11) |
| Film und Musik | Lf 3200/12 | |
| Flückiger, Barbara: Sound design | Lf 3200/11 | |
| Lastra, James: Sound technology and the American cinema | Lf 3200/24 | |
| Narrative, apparatus, ideology | Lf 1073/33 | |
| Phonorama | Lb 0044/10 | |
| Reay, Pauline: Music in film | ist im Buchhandel bestellt | |
| Silverman, Kaja: The acoustic mirror | Lf 1800/21 | |
| Sound theory, sound practice | Lf 3200/3 |
Changes from color to monochrome mode
contrast active
contrast not active
Changes the background color from white to black
Darkmode active
Darkmode not active
Elements in focus are visually enhanced by an black underlay, while the font is whitened
Feedback active
Feedback not active
Halts animations on the page
Animations active
Animations not active
