| Titel : | Filmische Subjektivität |
| Name des Lehrenden : | Dr. Ulrike Hanstein |
| Aufstellung : | Aufstellung bis 15.02.2011 Limona Empore |
| Verfasser, Titel | Signatur | Bemerkung |
| Bazin, André: Was ist Film? | Lf 1082/52 | Preis der Medienkunst/Mediengestaltung |
| Bersani, Leo: Forms of being | 238 968 | |
| Branigan, Edward: Projecting a camera | ist beim Buchhandel bestellt | |
| Cameron, Allan: Modular narratives in contemporary cinema | Lf 1500/32 | |
| Chion, Michael: The Thin Red Line | Lg MaliTer/2 | |
| Deleuze, Gilles: Das Zeit-Bild | Lf 1082/6:2 | Presseecho |
| Elsaesser, Thomas: Hollywood heute | Lh 6300/12 | |
| Elsaesser, Thomas: Studying contemporary American film | Lh 6300/7 | |
| Film theory and contemporary Hollywood movies | Lf 1081/51 | |
| King, Geoff: Indiewood, USA | Lh 6300/13 | |
| Metz, Christian: Die unpersönliche Enunziation oder der Ort des Films | Lf 1500/9 | |
| Puzzle films | Lf 1500/30 | |
| Realism and the audiovisual media | Lc 8100/52 | |
| Rothman, William: The "I" of the camera | Lf 1073/5 | |
| Rudkin, David: Vampyr | ist beim Buchhandel bestellt | |
| Stewart, Garrett: Framed time | Lf 1200/28 |
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