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Pedroramos (talk | contribs) (Created page with "'''Overview''' If I could hear someone else’s thoughts, would I feel more connected to them? In the extremely remarkable performance “The artist is present”, Marina A...") |
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In the extremely remarkable performance “The artist is present”, Marina Abramovic invites the audience for a experience of connection through eye contact, one that could last as long as it the person in front of her was comfortable to stay present. | In the extremely remarkable performance “The artist is present”, Marina Abramovic invites the audience for a experience of connection through eye contact, one that could last as long as it the person in front of her was comfortable to stay present. | ||
In a familiar setup, I can hear what you’re thinking is an invitation to an experimental emotional bonding laboratory. How comfortable would one feel knowing someone else is actually hearing their thoughts - thus breaking this elemental safety zone between what separates one’s own inner world and how its interactions in social life manifest them? | In a familiar setup, ''I can hear what you’re thinking'' is an invitation to an experimental emotional bonding laboratory. How comfortable would one feel knowing someone else is actually hearing their thoughts - thus breaking this elemental safety zone between what separates one’s own inner world and how its interactions in social life manifest them? | ||
Between two people interacting with the piece, a potential of bond is stimulated, even if coming attached with the complex array of feelings that come together with any process of emotional bonding, regardless of its length. | Between two people interacting with the piece, a potential of bond is stimulated, even if coming attached with the complex array of feelings that come together with any process of emotional bonding, regardless of its length. |
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