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ALGORITHMS IN ART | |||
After the compilation review, I felt rather bewildered and puzzled. Most of the conceptual work presented seem rather meaningless personally to me. I cannot understand why all these obsessional practices were used in their pure form. They seem to hint at a high level of abstract meaning embedded in them, but I cannot read it. Unless they were the embodiment of what was happening in the artistic environment that times, seemingly the filling of museums for the sake of filling museums. Sol LeWitt wrote that art is not utilitarian - it’s written in the first manifesto in the compilation; and at the same the compilation mostly depicts production of the things done with purpose make people in the gallery look at them. All this variety of “abstractions” - does it not pretend to be non-functional just to stake out a certain niche and a certain function? In order to maintain a certain narrative? I am not sure. | After the compilation review, I felt rather bewildered and puzzled. Most of the conceptual work presented seem rather meaningless personally to me. I cannot understand why all these obsessional practices were used in their pure form. They seem to hint at a high level of abstract meaning embedded in them, but I cannot read it. Unless they were the embodiment of what was happening in the artistic environment that times, seemingly the filling of museums for the sake of filling museums. Sol LeWitt wrote that art is not utilitarian - it’s written in the first manifesto in the compilation; and at the same the compilation mostly depicts production of the things done with purpose make people in the gallery look at them. All this variety of “abstractions” - does it not pretend to be non-functional just to stake out a certain niche and a certain function? In order to maintain a certain narrative? I am not sure. | ||
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