375
edits
GMU:Critical VR Lab II/Kristin Jakubek (view source)
Revision as of 15:46, 29 October 2020
, 29 October 2020→Process: Integration of Pure Data
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(1) poem plays | (1) poem plays | ||
(2) rises and falls of the tone/inflection of individual words are detected | (2) rises and falls of the tone/inflection of individual words are detected by pitch | ||
(3) slightly re-pitched to change the emphasis on select words (*but it is important to keep Malina's voice itself intact) | (3) slightly re-pitched to change the emphasis on select words (*but it is important to keep Malina's voice itself intact) | ||
(4) poem keeps playing | (4) poem keeps playing | ||
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Possible approach 2: | Possible approach 2: | ||
(1) poem plays | (1) poem plays | ||
(2) rises and falls of the tone/inflection of individual words are detected by | (2) rises and falls of the tone/inflection of individual words are detected | ||
> by: manually pre-defining select words | |||
> telling PD where these words are | |||
(3) slightly re-pitched to change the emphasis on select words (*but it is important to keep Malina's voice itself intact) | (3) slightly re-pitched to change the emphasis on select words (*but it is important to keep Malina's voice itself intact) | ||
(4) poem keeps playing | (4) poem keeps playing | ||