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Homunculus Cinema | Homunculus Cinema | ||
== Idea == | |||
Growing the slimemold onto humanoid shaped forms which each are watching a different part of Paul Sharits "Word Movie". | |||
The reaction of these objects get observed and described in correlation to the concept of the "homunculus" and its cultural history. This gets documented and examined in a fictional documentary study. | |||
==Synopsis== | ==Synopsis== | ||
[[File:Homunculus Cinema.jpg|400px]] | |||
The Work consists of two parts: The physical environment, the „cinema“, the darkened box in which the slime molds will be permanently placed, if possible grown into a humanoid shape by means of a „skeleton“ consisting of wire and oat flakes and eventually subjected to screenings of Paul Sharits' „Word Movie“. The second part consists of an extensive study, part examination of the experiments, part essayistic interpretation of the project and diary of the researcher. The scientific nature of it will be fictional, a „documentary fiction“, which means the writings will ultimately be literary, though staying true to the form of a scientific study. Additionally, a shortened version of this concept will hint at the implications of the work (alchemy, pseudo- and protoscience, questions of perception and the self, irrationality) which are not directly spelled out in the study. | The Work consists of two parts: The physical environment, the „cinema“, the darkened box in which the slime molds will be permanently placed, if possible grown into a humanoid shape by means of a „skeleton“ consisting of wire and oat flakes and eventually subjected to screenings of Paul Sharits' „Word Movie“. The second part consists of an extensive study, part examination of the experiments, part essayistic interpretation of the project and diary of the researcher. The scientific nature of it will be fictional, a „documentary fiction“, which means the writings will ultimately be literary, though staying true to the form of a scientific study. Additionally, a shortened version of this concept will hint at the implications of the work (alchemy, pseudo- and protoscience, questions of perception and the self, irrationality) which are not directly spelled out in the study. | ||
Put even simpler: 1: a group of slime molds will be cultivated onto a human-shaped „skeleton“, 2: those figurines will be examined, each watching a different part of „Word Movie“ in a darkened room on repeat, the relationship of the observer to the figures will be described in the context of the „homunculus“-concept, 3. Their reaction to the film sequences will be examined in a fictional study, which will also discuss the cultural and philosophical implications of the homunculus, literally and metaphorically, the perceptiveness of slime molds, and the attempt to communicate to them via film. | Put even simpler: 1: a group of slime molds will be cultivated onto a human-shaped „skeleton“, 2: those figurines will be examined, each watching a different part of „Word Movie“ in a darkened room on repeat, the relationship of the observer to the figures will be described in the context of the „homunculus“-concept, 3. Their reaction to the film sequences will be examined in a fictional study, which will also discuss the cultural and philosophical implications of the homunculus, literally and metaphorically, the perceptiveness of slime molds, and the attempt to communicate to them via film. | ||
Paul Sharit's "Word Movie: [https://www.youtube.com/watch?v=U7gExqNaAMo] | |||
== Technical steps == | == Technical steps == | ||
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29.5. | 29.5. | ||
I make room on the top shelf of my laboratory and | I make room on the top shelf of my laboratory and maniacally disinfect the surfaces, as well as everything I touch the surfaces with. At least the laboratory is at an unusually comfortable height for precision work. | ||
[[File:191709370_152246346826340_567537490083947377_n.jpg|400px]] | [[File:191709370_152246346826340_567537490083947377_n.jpg|400px]] | ||
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11.6. | 11.6. | ||
Apart from the "Mothersample", which is still in good health, one of the three petri-dishes, the one with the least water added, has remained mold free. For this stage, I have not intervened and tried to remove mold. In that light, it feels like an achievement to have grown an uncontaminated batch. I will cook new medium, to place the original, big sample in and to migrate the healthy physarum in a couple of days. | Apart from the "Mothersample", which is still in good health, one of the three petri-dishes, the one with the least water added, has remained mold free. For this stage, I have not intervened and tried to remove mold. In that light, it feels like an achievement to have grown an uncontaminated batch. I will cook new medium, to place the original, big sample in and to migrate the healthy physarum in a couple of days. I make a note to myself to only add a tiny amount of water and not to underestimate the physarums ability to grow through dense material. | ||
[[File:196370820_842736253333342_3847102017935821892_n.jpg|400px]] | |||
[[File:196125890_1448844928785332_3535104624167984013_n.jpg|400px]] | |||
Some time later | |||
[[File:nehmens.JPG|400px]] | |||
[[File:nehemen.JPG|400px]] | |||
The Slime Molds are in good health and behaving normally. The question is: How to get them to adhere through a threedimensional shape, or rather, how to lace a three dimensional skeleton with agar in such a way that it still serves as soil for the slime mold. I suppose the challenge is in timing it right and submerging the skeleton when the agar is already relative solid, but still flexible. First, to get adequate Flasks. | |||
'''the bit with the words''' | |||
When the whole Idea came together - a whole knot of different ideas really, that were not going to be untied again, it was engaging how on its fringes it really overlapped into the territory of my two closest friends and artistic comrades. One a philosopher, the other a biologist - and so I looked forward to develop ideas back and forth within our unlikely trio. In the end, their help was practical, and now I finally have a reading list on the field of subject theory. | |||
[[File:Reader Subjekttheorie.jpg|400px]] | |||
constructing the cinema | |||
[[File:room22.jpg|400px]] | |||
[[File:room1111111.jpg|400px]] | |||
for the first prototype, I changed the layout of the installation. With only one projector, a different setup makes sense, which also changes and adds to the concept. Instead of sequences, the film is split in the middle, which lends itself to another kind of comparative study, a "left" film, and a "right" film. This works especially, since Word Movie relies heavily on stereo effects: different words appear on the respective sides, making each a seperate and unique sequence. | |||
the practice of charging and changing the object of the spectator, by arbitrarily making a dichotomy between "left" and "right", which in this version of the work, would continue into the comparative study, is a nod to hungarian Fluxus artist Endre Tot's charming series "one dozen rain pOstCarDs 1971-1973". | |||
[[File:rain_3.jpg|400px]] | |||
[[File:rain_4.jpg|400px]] |
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