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{{Template:User|Ursel quint}} | {{Template:User|Ursel quint}} | ||
[http://www.ursel-quint.de/] | [http://www.ursel-quint.de/ www.ursel-quint.de] | ||
[[File:Ursel_am_Werk_01.jpg|thumb| | [[File:Ursel_am_Werk_01.jpg|thumb|field recordings in Bochum <br/> photo BLR]] | ||
== GERMAN - Lebenslauf == | == GERMAN - Lebenslauf == | ||
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== ENGLISH - CV == | == ENGLISH - CV == | ||
Ursel Quint (*1958 in Bonn) lives in Bonn where she teaches piano at the municipal music conservatory. Her pianistic training began at the Musikhochschule in Cologne (Baccalaureate). Further studies at Indiana University of Bloomington in the USA (Artist Diploma), concluding with a concert diploma from the Musikhochschule in Zurich. She continued her studies at the University in Bonn | Ursel Quint (*1958 in Bonn) lives in Bonn where she teaches piano at the municipal music conservatory. Her pianistic training began at the Musikhochschule in Cologne (Baccalaureate). Further studies at Indiana University of Bloomington in the USA (Artist Diploma), concluding with a concert diploma from the Musikhochschule in Zurich. She continued her studies at the University in Bonn in German language and literature. She has some 30 years of solo and chamber music concert experience, as well as solo performances with orchestra. She has extensive experience as accompanist in theatre and dance productions, and has performed live to film presentations. A central focus point of her pianistic career has been the collaboration with contemporary composers, leading to numerous premier performances of their works. Since the summer of 2009 she has been working in a collaborative project with Barry L. Roshto as the Media Art Duo Snowkrash, which concerns itself primarily with the relationship of image and sound. | ||
Her Media Art work, as one could expect in regards to her artistic background, concerns itself primarily with the tension between electronic reproductions of processed material and live performance. Furthermore, she interests herself intensively with the roll of sound in video art. | Her Media Art work, as one could expect in regards to her artistic background, concerns itself primarily with the tension between electronic reproductions of processed material and live performance. Furthermore, she interests herself intensively with the roll of sound in video art. |
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