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MODEN:Start/EXHIBITIONS/domestikation (view source)
Revision as of 17:35, 3 December 2010
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''Preparators'': '''Matthias Krüger, Michael Nickel'''<br> | ''Preparators'': '''Matthias Krüger, Michael Nickel'''<br> | ||
[[File:felixsattler_domestikation_01.jpg|650px | [[File:felixsattler_domestikation_01.jpg|thumb|right|650px|The Phyletisches Museum's "Medusensaal" special exhibition area showing the Domestikation exhibition. Exhibition logo on and "village square" with bench around the central column were designed by Elisabeth Kaufmann, Felix Sattler (both: idea, concept) and Konrad Angermüller (graphic design). Foto: Felix Sattler]]<br> | ||
The Phyletisches Museum's "Medusensaal" special exhibition area showing the Domestikation exhibition. Exhibition logo on and "village square" with bench around the central column were designed by Elisabeth Kaufmann, Felix Sattler (both: idea, concept) and Konrad Angermüller (graphic design). | |||
''Designers’ keynote to the exhibition'':<br><br> | ''Designers’ keynote to the exhibition'':<br><br> | ||
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:a) '''Dressage''' featuring a collection of dog leashes. We tend to regard those first as a practical tool to carry out human power over animals. To us, it was even more important that they publicly visualize a distinct "channel" between human and animal. The diversity of available leashes on the market displays much of the emotional quality of human-animal relationships as well as the real or intended social status of each "pair" or "couple". Furthermore, dressage is always about creating an anthropomorphic animal, which is probably most convincingly pointed out in the genre of comic films featuring animal protagonists. We felt the need to show that there is also a cultural technique reversing this making of the anthropomorphic animal: As in certain sex practices, humans sometimes also tend to "play animal", which is why we added a leash from the stock of a sex toys manufacturer to the display. | :a) '''Dressage''' featuring a collection of dog leashes. We tend to regard those first as a practical tool to carry out human power over animals. To us, it was even more important that they publicly visualize a distinct "channel" between human and animal. The diversity of available leashes on the market displays much of the emotional quality of human-animal relationships as well as the real or intended social status of each "pair" or "couple". Furthermore, dressage is always about creating an anthropomorphic animal, which is probably most convincingly pointed out in the genre of comic films featuring animal protagonists. We felt the need to show that there is also a cultural technique reversing this making of the anthropomorphic animal: As in certain sex practices, humans sometimes also tend to "play animal", which is why we added a leash from the stock of a sex toys manufacturer to the display. | ||
[[File:felixsattler_domestikation_02.jpg| | [[File:felixsattler_domestikation_02.jpg|thumb|left|400px|Elisabeth Kaufmann & Felix Sattler: Kalkül und Leidenschaft I: Dressur]] | ||
[[File:felixsattler_domestikation_03.jpg]] | [[File:felixsattler_domestikation_03.jpg]] | ||
[[File:felixsattler_domestikation_04.jpg]] | [[File:felixsattler_domestikation_04.jpg]] | ||