GMU:Breaking the Timeline/projects: Difference between revisions

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 === progress ===
 On September 25th I will perform TAPE at TodaysArt festival in Den Haag. I will continue to develop the interface and AV materials until then.
+<br clear="all" />
-== [[Andreas Beyer]]: Prosody==
-the keyword for this projekt is “prosody”, that means the science about rhythm, stress and intonation of speech. I'll try to manipulate any given speech with a specific overlay to generate a new meaning or a strange combination of content and meaning e.g. reading the telephonbook like a holy speech and so on. The "overlayed" "structure" is given by the performer and the imput will be live. I want to realize this with a pd patch that i have to write or build till the semester. The background is a theorie that any kind of speech independent from the cultural background could be identified by anybody because of the intonation, the speech, the pitch (political, religious, news, sport, and so on) - this instrument could be used as a "translater" of the cultural melody of the voice or just to play with different meaning. It is the other way around how an anchorman works, he is trying to speak any typ of news in any combination more or less neutral - this is more difficult than it sounds.
-== [[Anja Erdmann]]: ==
-- in this class i will get to work on "Schatten→Klang"
-* [[GMU:Audio+Video/projekte/Schatten→Klang]]
 == [[Dominique Wollniok]]: ==
@@ Line 93: / Line 87: @@
 [[/Der Emotionsschalter|Project description]]
 <br clear="all" />
-== [[Jeffers Egan]]: ==
-===Theory===
-Viewing Live AV as a platform for experimentation, my live sets explore the inscription of visual culture in time. By utilizing custom algorithms and animation software and without the use of prerecorded video or still footage, these works result in a hyperreal fluidity of visual mutations, ranging from tightly synchronized passages, to moments of free improvisation. Developing the concepts of digital as organism and software as ecosystem, my sets create a focused, personal aesthetic, finding commonalities in tone, texture and movement between audio and visual elements.
-===Practice===
-I have been invited to perform Live Visuals with [http://www.myspace.com/vidderna vidderna],  at ROJO/NOVA, a multimedia event this July in São Paulo, Brazil. We will play a 1 hour show together at an event alongside other AV acts.
-Technically I am building a visual instrument in [http://www.derivative.ca Touch Designer], . For the performance with vidderna, I plan to add a HD multi-movie stream compositing system(with alpha), a 3D timeline, and build/consolidate some [[GLSL]] shaders into 2D filters I can use in the compositing system.
-I will also create new artwork specifically for this performance.
 == [[Matthias Breuer]]: [[/Reconstructing the truth|Reconstructing the truth]]==
@@ Line 125: / Line 108: @@
 [[/Mutually Intelligible|Project Documentation]]
+<br clear="all" />
+== [[Jeffers Egan]]: ==
+===Theory===
+Viewing Live AV as a platform for experimentation, my live sets explore the inscription of visual culture in time. By utilizing custom algorithms and animation software and without the use of prerecorded video or still footage, these works result in a hyperreal fluidity of visual mutations, ranging from tightly synchronized passages, to moments of free improvisation. Developing the concepts of digital as organism and software as ecosystem, my sets create a focused, personal aesthetic, finding commonalities in tone, texture and movement between audio and visual elements.
+===Practice===
+I have been invited to perform Live Visuals with [http://www.myspace.com/vidderna vidderna],  at ROJO/NOVA, a multimedia event this July in São Paulo, Brazil. We will play a 1 hour show together at an event alongside other AV acts.
+Technically I am building a visual instrument in [http://www.derivative.ca Touch Designer], . For the performance with vidderna, I plan to add a HD multi-movie stream compositing system(with alpha), a 3D timeline, and build/consolidate some [[GLSL]] shaders into 2D filters I can use in the compositing system.
+I will also create new artwork specifically for this performance.
+<br clear="all" />
+== [[Anja Erdmann]]: ==
+- in this class i will get to work on "Schatten→Klang"
+* [[GMU:Audio+Video/projekte/Schatten→Klang]]
+<br clear="all" />
+== [[Andreas Beyer]]: Prosody==
+the keyword for this projekt is “prosody”, that means the science about rhythm, stress and intonation of speech. I'll try to manipulate any given speech with a specific overlay to generate a new meaning or a strange combination of content and meaning e.g. reading the telephonbook like a holy speech and so on. The "overlayed" "structure" is given by the performer and the imput will be live. I want to realize this with a pd patch that i have to write or build till the semester. The background is a theorie that any kind of speech independent from the cultural background could be identified by anybody because of the intonation, the speech, the pitch (political, religious, news, sport, and so on) - this instrument could be used as a "translater" of the cultural melody of the voice or just to play with different meaning. It is the other way around how an anchorman works, he is trying to speak any typ of news in any combination more or less neutral - this is more difficult than it sounds.
 <br clear="all" />