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In this context, I am a foriegner, an outsider who does not speak the same language and does not belong to their group. The camera position shows the allienation and distance between an ingroup and an outsider: a long shot, blurred, peeks (grass in the foreground). The camera movement depicts the exhaustion in getting to understand and waiting for a chance to communicate when the camera lost its focus while tilting down. | In this context, I am a foriegner, an outsider who does not speak the same language and does not belong to their group. The camera position shows the allienation and distance between an ingroup and an outsider: a long shot, blurred, peeks (grass in the foreground). The camera movement depicts the exhaustion in getting to understand and waiting for a chance to communicate when the camera lost its focus while tilting down. | ||
The audio is taken from a Hong Kong film, Beast Cops (1998), directed by Gordon Chan and Dante Lam. The summery of their conversation is that what matters in life is not about doing things to please the others, it is about doing things to please yourself. The dialoge is simple and it becomes sacastic when the voice is dubbed to teenagers' conversation but not the adults, as this simple topic can also be discussed among teenagers. Whereas in the film, it is discussed among men who | The audio is taken from a Hong Kong film, Beast Cops (1998), directed by Gordon Chan and Dante Lam. The summery of their conversation is that what matters in life is not about doing things to please the others, it is about doing things to please yourself. The dialoge is simple and it becomes sacastic when the voice is dubbed to teenagers' conversation but not the adults, as this simple topic can also be discussed among teenagers. Whereas in the film, it is discussed among men who are portrayed masculine and mature. | ||
<videoflash type="vimeo">19014964|500|300</videoflash> | <videoflash type="vimeo">19014964|500|300</videoflash> |
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