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PDCON:Conference/Custom Spatialisation Pd Patch for a Large Non-conventional Area: Difference between revisions
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== Author: José Rafael Subía Valdez == | |||
Different sound spatialisation tools and methods have flourished and been perfected over the years. Conventional methods are used in typical closed music spaces. Richard Moore's “Space”, Michael Gerzon “Ambisonics” or even traditional “Equal Power Panning” have all been designed for a closed location with a sweet spot where the listener is placed. However what to do when a different area other than ordinary music spaces need spatialisation? This paper describes how the spatialisation patch for Buenos Aires Sonora's “Oi(r) el Ruido” intervention to the (45 x 15 meters) Argentinian Bicentennial Pavilion was created. How was the method picked out and how it was implemented in Pure Data (Pd). | Different sound spatialisation tools and methods have flourished and been perfected over the years. Conventional methods are used in typical closed music spaces. Richard Moore's “Space”, Michael Gerzon “Ambisonics” or even traditional “Equal Power Panning” have all been designed for a closed location with a sweet spot where the listener is placed. However what to do when a different area other than ordinary music spaces need spatialisation? This paper describes how the spatialisation patch for Buenos Aires Sonora's “Oi(r) el Ruido” intervention to the (45 x 15 meters) Argentinian Bicentennial Pavilion was created. How was the method picked out and how it was implemented in Pure Data (Pd). | ||