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== Author: Alexandre Porres == | |||
This paper discusses the implementation of Psychoacoustic Models of Dissonance and its creative applications. Terhardt’s theory of dissonance perception is a departure point [1], it involves the perceptual attributes of Sharpness, Roughness, Tonalness, Root Relationship & Pitch Commonality. This is part of a PhD research that aims to the development of computational tools for interaction in real-time (live electronics: composition, performance or improvisation) based on a Dissonance Model. | This paper discusses the implementation of Psychoacoustic Models of Dissonance and its creative applications. Terhardt’s theory of dissonance perception is a departure point [1], it involves the perceptual attributes of Sharpness, Roughness, Tonalness, Root Relationship & Pitch Commonality. This is part of a PhD research that aims to the development of computational tools for interaction in real-time (live electronics: composition, performance or improvisation) based on a Dissonance Model. | ||
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