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Pd software is used by many electroacoustic composers and engineers, who share resources and publish their work and tools online. Exploring the field of electroacoustic music becomes more fruitful by using FLOSS and interacting with its online supporters. It is common to hear from electroacoustic music artists/composers «I am a musician, not an engineer...» or the exact opposite from engineers. The workflow proposed in this paper aims at helping projects of collaboration in electroacoustic musical instrument creation, run with consistency to the initial idea and not end up wrapping around whatever technology available. | Pd software is used by many electroacoustic composers and engineers, who share resources and publish their work and tools online. Exploring the field of electroacoustic music becomes more fruitful by using FLOSS and interacting with its online supporters. It is common to hear from electroacoustic music artists/composers «I am a musician, not an engineer...» or the exact opposite from engineers. The workflow proposed in this paper aims at helping projects of collaboration in electroacoustic musical instrument creation, run with consistency to the initial idea and not end up wrapping around whatever technology available. | ||
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