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The performer's interface could be based on a separate device-focused (sensors-equipped, handheld, tangible, etc) (sub-)system, that would communicate with PD. Such an approach should transfer to new projects the dexterity gained with certain devices and custom systems by the performers to succeed in embodiment of control parameters through effective mapping of dexterous gestural abilities. Furthermore, making available the mapping of control parameters for calibration by the performer himself, should help his practice gain in quality. | The performer's interface could be based on a separate device-focused (sensors-equipped, handheld, tangible, etc) (sub-)system, that would communicate with PD. Such an approach should transfer to new projects the dexterity gained with certain devices and custom systems by the performers to succeed in embodiment of control parameters through effective mapping of dexterous gestural abilities. Furthermore, making available the mapping of control parameters for calibration by the performer himself, should help his practice gain in quality. | ||
PD software is used by many electroacoustic composers and engineers, who share resources and publish their work and tools online. Exploring the field of electroacoustic music becomes more fruitful by succeeding in implementing new compositional ideas. The workflow ideas described in this paper aim at helping projects of collaboration in electroacoustic musical instrument creation, run with consistency to the initial idea. | PD software is used by many electroacoustic composers and engineers, who share resources and publish their work and tools online. Exploring the field of electroacoustic music becomes more fruitful by succeeding in implementing new compositional ideas. The workflow ideas described in this paper aim at helping projects of collaboration in electroacoustic musical instrument creation, run with consistency to the initial idea. | ||
[[File:workflow.png]] |
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