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GMU:On Psychogeography and Architecture/Projektideen/Chen (view source)
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I was just looking out of the window, and I saw the scene as a symbol of how mankind changes his environment: the traditional way of living with nature, juxtaposed with modern life. I took the picture through the curtain, as a tourist, without thinking what I would do with it. Only later did I realise it would fit in perfectly with the Jpeg idea, in which a pixellated square is ugly, but if you present it in the right context it can become beautiful. | I was just looking out of the window, and I saw the scene as a symbol of how mankind changes his environment: the traditional way of living with nature, juxtaposed with modern life. I took the picture through the curtain, as a tourist, without thinking what I would do with it. Only later did I realise it would fit in perfectly with the Jpeg idea, in which a pixellated square is ugly, but if you present it in the right context it can become beautiful. | ||
" | " | ||
-- Thomas Ruff | |||
===2.2 Sencer Vardarman《 TV-scapes 》=== | |||
"How would you describe aesthetic characteristics of our age? | |||
A flood of images created, selected and reselected by professionals: even if produced under very difficult conditions, they can be comprehended according to rules of formal composition. And these rules, evident to the future observer, are produced by aesthetical-catastrophic romantic subjects, that is, people of our time. | |||
TV-scapes and Media-scapes are images presented in order to reveal to visitors from a distant future the new reincarnation of baroque in highly calculated and edited images and neo-romantic themes as result of the luxurious boredom of our age. | |||
Photomontages from manipulated TV and internet still frames." | |||
-- Sencer Vardarman | |||
===3. Weimar Impressions 《Denkmal》《Bauhaus-Uni》《Hauptbahnhof》=== | |||
Every single picture composed by 10-12 photos, and they are overlapped one by one. The transparency of each layer is 20%. Each picture has a focus, which is relatively clear in the whole picture. | |||
===4. Details=== | |||
Q: Why the transparency of each layer is 20% | |||
A: to achieve the most obvious effect (I've tried many times) | |||
Q: about the choice of pictures | |||
A: different perspectives, different backgrounds, different seasons, different times, different weather, different resolutions to show the various aspects of the object. | |||
Q: Why use 10-12 pictures for one work? | |||
A: it depends on the effect. | |||
Q: about the purpose | |||
A: to express a vague memory | |||
Q: about the focus of the picture | |||
A: the most clear part of the pictures, also the most clear part of impression or dream | |||
<gallery> | |||
File:Hauptbahnhof.jpg|Hauptbahnhof | |||
File:Bauhaus_weimar.jpg|Bauhaus_weimar | |||
File:Goethe_Schiller_Weimar1.jpg|Goethe_Schiller_Weimar1 | |||
</gallery> | |||