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Light and sound play with expectations: creating tension in ambiguous virtual spaces between seeing and hearing, rather than visualizing / sonifying each other. Rules of dramatization / interaction change in time, shaped by the visitors actions. | Light and sound play with expectations: creating tension in ambiguous virtual spaces between seeing and hearing, rather than visualizing / sonifying each other. Rules of dramatization / interaction change in time, shaped by the visitors actions. | ||
Possible other elements: temperature (> light colors), corporeal hearing, scent (e.g. eucalyptus. | Possible other elements: temperature (> light colors), corporeal hearing, scent (e.g. eucalyptus). | ||
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===Links & Literature=== | ===Links=== | ||
* Maryanne Amacher: [https://www.youtube.com/watch?v=_MahrtRVhkA Headrhythm & Plaything] > otoacoustic emissions. | |||
* Jaroslaw Kapuscinski: [http://www.jaroslawkapuscinski.com/work.html works: seein-hearing] | |||
* Georg Klein: [https://vimeo.com/26581215# TRASA warszawa-berlin] | |||
* Kaffe Matthews: [https://vimeo.com/26954210 Music for Bodies] | |||
* Randy H. Yau, Scott Arford: [https://www.youtube.com/watch?v=EdfrRMXBRWM Infrasonics live in Paris] | |||
===Literature=== | |||
* Caclin, Anne et al.: [http://link.springer.com/article/10.3758/BF03194730#page-1 Tactile "capture" of audition] | |||
* Hope, Cat: [http://mass.nomad.net.au/wp-content/uploads/cade/CADEproceedings/CADE/CADE%20Papers.pdf/HOPE.pdf Silence As Stillness? Sonic Experiences in Art using Infrasonics] | |||
* Ouzounian, Gascia: [http://www.tandfonline.com/doi/pdf/10.1080/07494460600647360 Embodied Sound: Aural Architectures and the Body] | |||
* Schroeder, Franziska: [http://www.tandfonline.com/doi/pdf/10.1080/07494460600647360 Bodily Instruments and Instrumental Bodies: Critical Views on the Relation of Body and Instrument in Technologically Informed Performance Environments] |
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