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How do we think of places that we‘ve never been to before? | ''How do we think of places that we‘ve never been to before? How do we imagine a place in San Diego, if we only hear its soundscape? How do image movements affect the perception of unknown soundscapes?'' | ||
How do we imagine a place in San Diego, if we only hear its soundscape? | |||
How do | |||
First of all, if we hear things of an unknown place, we are projecting images of our own experiences onto these “unknown” places, which therefore become “mappings” that are provided with our own mind. | First of all, if we hear things of an unknown place, we are projecting images of our own experiences onto these “unknown” places, which therefore become “mappings” that are provided with our own mind. | ||
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The aim is to let a computer system discover new relations between San Diego soundscapes, google/panoramio-image data. The audiovisual result will then impact the associations each visitor would have on his own, since a generated movement of pixels may be obviously related to the sound, yet the concrete content of the images is not always clear due to the fragmental/blurred/distorted way of displaying. | The aim is to let a computer system discover new relations between San Diego soundscapes, google/panoramio-image data. The audiovisual result will then impact the associations each visitor would have on his own, since a generated movement of pixels may be obviously related to the sound, yet the concrete content of the images is not always clear due to the fragmental/blurred/distorted way of displaying. | ||
===Technical approach=== | ===Technical approach=== |
edits