33
edits
(→Texts) |
(→Texts) |
||
Line 70: | Line 70: | ||
* [http://pixlpa.com/pile/sfai/cyberneticsandart.pdf Michael J. Apter: Cybernetics and Art] | * [http://pixlpa.com/pile/sfai/cyberneticsandart.pdf Michael J. Apter: Cybernetics and Art] | ||
* [http:// | * [http://pl02.donau-uni.ac.at/jspui/bitstream/10002/615/1/Roy%20Ascott.pdf Roy Ascott: Behaviorist Art and the Cybernetic Vision] | ||
* [ | * [http://mujweb.cz/horvitz/burnham/aesth-sys.pdf Jack Burnham: The Aesthetics of Intelligent Systems] | ||
* [ | * [http://people.csail.mit.edu/brooks/papers/nature.pdf Rodney Brooks: The Relationship between Matter and Life] | ||
* [ | * [http://people.csail.mit.edu/brooks/papers/representation.pdf Rodney Brooks: Intelligence without Representation] | ||
* [ | * [http://www.arteclab.uni-bremen.de/publications/artec-04-BrunsRichardAestheticCybernetics.pdf Bruns & Richard: Aesthetic Cybernetics – Turning towards Senses of Man and Machine] | ||
* [ | * [http://www.jstor.org/stable/1574794?seq=1#page_scan_tab_contents Sonia L. Sheridan: Generative Systems versus Copy Art: A Clarification of Terms and Ideas] | ||
* [ | * [http://www.responsivelandscapes.com/readings/CyberneticsArtCultConv.pdf Edward A. Shanken: Cybernetics and Art: Cultural Convergence in the 1960's] | ||
* [ | * [http://opus.uni-lueneburg.de/opus/volltexte/2007/11047/pdf/Kunst_aus_der_Maschine.pdf Martin Warnke: Kunst aus der Maschine: Informationsaesthetik, Virtualitaet und Interaktivitaet, Digital Communities] | ||
* [ | * [http://www1.appstate.edu/~kms/classes/psy5150/Documents/Braitenberg1984.pdf Valentino Braitenberg: Vehicles – Experiments in Synthetic Psychology] | ||
* [ | * [http://www.scio.org.uk/sites/default/files/designing_freedom.pdf Stafford Beer: Designing Freedom] | ||
* [ | * [http://www.nickgreen.pwp.blueyonder.co.uk/beerWhatisCybernetics.pdf Stafford Beer: What is Cybernetics (Talk)] | ||
* [ | * [https://www.asis.org/History/02-pickering.pdf Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics] | ||
* [ | * [http://cyberneticserendipity.com/cybernetic_serendipity.pdf Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts] | ||
* [ | * [http://interface.khm.de/wp-content/uploads/2008/11/04-kunstprogrammierung.pdf Georg Trogemann: Muessen Medienkuenstler programmieren koennen ?] | ||
* [http://interface.khm.de/wp-content/uploads/2013/11/BiologicalMachines.pdf Georg Trogemann: Biological Machines and the Mechanization of Life] | * [http://interface.khm.de/wp-content/uploads/2013/11/BiologicalMachines.pdf Georg Trogemann: Biological Machines and the Mechanization of Life] | ||
* [ | * [http://yaxu.org/writing/thesis.pdf Christopher A. McLean: Artist Programmers and Programming Languages for the Arts (dissertation)] | ||
* [ | * [http://www.bruno-latour.fr/sites/default/files/35-MIXING-H-ET-NH-GBpdf_0.pdf Bruno Latour: Mixing Humans and Non–Humans Together: The Sociology of a Door Closer] | ||
* [ | * [http://philipgalanter.com/downloads/complexism_chapter.pdf Philip Galanter: Complexism and the Role of evolutionary Art] | ||
* [ | * [http://philipgalanter.com/downloads/vague_terrain_2006.pdf Philip Galanter: Generative Art and Rule Based Art] | ||
* [http://www.researchgate.net/publication/233128802_What_is_generative_art Boden & Edmonds: What is Generative Art ?] | * [http://www.researchgate.net/publication/233128802_What_is_generative_art Boden & Edmonds: What is Generative Art ?] |
edits