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GMU:The Conceptual Sensor/Your name here (view source)
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2/ inviting the spectator to touch the very personal piece of art, giving him or her <br>the possibility to change the condition of the artwork for a little while. Letting <br>the drawings live their own life, getting dirty, maybe destroyed by being <br>touched by many people. <br> | 2/ inviting the spectator to touch the very personal piece of art, giving him or her <br>the possibility to change the condition of the artwork for a little while. Letting <br>the drawings live their own life, getting dirty, maybe destroyed by being <br>touched by many people. <br> | ||
3/ connecting two different and contrasting sides of artwork - personal and <br>almost spiritual aspect of lacking the real silence and very technical solution<br> of connecting the drawing to the electric circuit. | 3/ connecting two different and contrasting sides of artwork - personal and <br>almost spiritual aspect of lacking the real silence and very technical solution<br> of connecting the drawing to the electric circuit. | ||
[[File:draving4.jpg]][[File:draving5.jpg]][[File:drawing6.jpg]][[File:drawing7.jpg]][[File:draving0.jpg]] | |||