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[[File:lichen?starts.png|800px]] | [[File:lichen?starts.png|800px]] | ||
====sketches : a plan to install==== | |||
<gallery> | |||
Image:lichen_render (3 - 3).png | |||
Image:lichen_render (3 - 4).png | |||
Image:lichen_render (3 - 5).png | |||
</gallery> | |||
3D render | |||
<br> | |||
<br> | |||
This installation work consists of two parts. | |||
The first part is lichen with transferred photography on the stone. Images show a human’s body and fragile emotion. When lichen grows up many years, they might grow above, break images. Yes, it is a long term work, when viewers see it happen. But in daily life, viewers notice that human share with lichen or other organisms certain time but the different scale of time. | |||
The second part is the vibrated water that under the stone. Water is vibrated by the sound wave which comes from the speaker under the water bowl. The sound is affected by data which recorded outside of environment or particular data in human society. (working with Minsoo Hwang) This vibration of water also provides good environmental conditions (humidity and air circulation) to help to grow lichen. | |||
Very slow lichen's growth is a big problem to make an interactive installation.
However paradoxically speaking, it is an interesting aspect to understanding, how we are different but also we live together certain time and spaces. In human's perspective, lichen grows up too slow, but in their perspective, we are too fast to live and die. | |||
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=== Inspiration === | === Inspiration === | ||
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===Methods=== | ===Methods=== | ||
====Method1 | ====Method1 : Transfer gel medium==== | ||
The Acrylic Gel Lift/Transfer is a process with many stages, ultimately enabling the artist to apply their photographic work to a wide variety of surfaces. The process entails the creation of a positive print, applying acrylic gel to the print, curing the gel, soaking the gel coated print, removing the paper backing, then applying the final suspended ink to a new surface. This exercise will illustrate the non-traditional acrylic side down version of the process that has been developed as a way to further control and manipulate the photograph. It celebrates the old transfer aesthetic of being a reverse of the original capture and allows more manipulation of the ink side before it is sealed. Although it may require more work, patience and care than other transfer processes, it is a wonderful variation and has its own unique aesthetic quality. | The Acrylic Gel Lift/Transfer is a process with many stages, ultimately enabling the artist to apply their photographic work to a wide variety of surfaces. The process entails the creation of a positive print, applying acrylic gel to the print, curing the gel, soaking the gel coated print, removing the paper backing, then applying the final suspended ink to a new surface. This exercise will illustrate the non-traditional acrylic side down version of the process that has been developed as a way to further control and manipulate the photograph. It celebrates the old transfer aesthetic of being a reverse of the original capture and allows more manipulation of the ink side before it is sealed. Although it may require more work, patience and care than other transfer processes, it is a wonderful variation and has its own unique aesthetic quality. | ||
<br> | |||
==== References==== | ==== References==== | ||
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*[http://www.alternativephotography.com/wp/processes/transfers-and-lifts/acrylic-gel-lift-and-transfer Alternative photography, Brady Wilks] | *[http://www.alternativephotography.com/wp/processes/transfers-and-lifts/acrylic-gel-lift-and-transfer Alternative photography, Brady Wilks] | ||
<br> | |||
====How to make it?==== | ====How to make it?==== | ||
<br> | <br> | ||
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If it slides around, you will get a blurry image. Press hard till the image transfers. | If it slides around, you will get a blurry image. Press hard till the image transfers. | ||
7. Make sure you have lots of ventilation when using the Transfer gel or pen. | 7. Make sure you have lots of ventilation when using the Transfer gel or pen. | ||
<br> | |||
====References==== | ====References==== | ||
*[http://www.villabarnes.com/2012/03/playing-with-rocks.html Playing With Rocks by villabarnes.com] | *[http://www.villabarnes.com/2012/03/playing-with-rocks.html Playing With Rocks by villabarnes.com] | ||
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==== | ====Method2 : 배접 (褙接) Bae-jeop==== | ||
Traditional korean technic for conservation <br>Material : 풀 (糊) Pull / Rice paste, Material | Traditional korean technic for conservation <br>Material : 풀 (糊) Pull / Rice paste, Material | ||
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4. Keep the water for a while, take away upper water, put new water. | 4. Keep the water for a while, take away upper water, put new water. | ||
5. Mixing with small amount of rice. (Should use cold water, A proportion of mixing is important. Experience is useful) | 5. Mixing with small amount of rice. (Should use cold water, A proportion of mixing is important. Experience is useful) | ||
<br> | |||
[[File:_DSF0894.png|300px]] | |||
==== References ==== | ==== References ==== | ||
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<br> | <br> | ||
<br> | <br><h3>Current process</h3> <br> | ||
[[File:_DSF0901.png|300px]] | [[File:_DSF0901.png|300px]][[File:lichenll.png|300px]][[File:_DSF0905.png|300px]] | ||
[[File:_DSF0905.png|300px]] | |||
<br> | <br> | ||
because of lichen’s slow speed of growth, It was very difficult in short time to have the visual aspect that I expect.<br> | |||
lichen is growing now but it is very slow. therefore it will take a quit long time to be ready to be in installation. | |||
< | |||
<BR/> | |||
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<BR/> | |||
<BR/> | |||
==<h1> The Miller-Urey Experiment </h1>== | ==<h1> The Miller-Urey Experiment </h1>== | ||
[https://www.youtube.com/watch?v=NNijmxsKGbc What Was The Miller-Urey Experiment?] | [https://www.youtube.com/watch?v=NNijmxsKGbc What Was The Miller-Urey Experiment?] |
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