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Lecturer: Jörg Brinkmann<br> | |||
Die | Credits: 6 ECTS, 4 SWS<br> | ||
Date: Thursdays 17:00-20:30<br> | |||
Venue: Performance Platform, Digital Bauhaus Lab (Room 001)<br> | |||
First meeting: Thursday, April 13th 2017, 17:00<br><br><br> | |||
Everyone talks about VR nowadays, but aren’t sites like Facebook or Instagram already a Virtual Reality that gets fed daily with cutouts of our lives? Do we have to worry that soon the real world will be at second place?<br><br> | |||
“In today’s society, where drones are used for warfare and romantic relationships begin online can we any longer distinguish between the so-called real and the virtual?” (Cécile B. Evans)<br><br> | |||
In this course we will get inspired and challenged by different artists and artworks that embrace “the virtual” as a concept, aesthetic or technique. We will start by using simple approaches to help amplify and channel our ideas and concepts through media and technology and further use Unity 3D to create our very own virtual worlds, objects or avatars which will include integrating Virtual Reality devices like the Oculus Rift. This course involves working with but is not bound to the use of the Performance Platform at the Digital Bauhaus Lab.<br><br> | |||
PREREQUISITES<br> | |||
No previous programming experience required.<br><br> | |||
CRITERIA FOR PASSING<br> | |||
In order to successfully participate you will have to develop and document your own project that can be in the form of a Performance, Videowork or Installation for example. Also, regularly attend to the sessions and participation is mandatory. <br><br> | |||
ELIGIBLE PARTICIPANTS<br> | |||
Undergraduates and graduates enrolled in the faculties of Media and Design.<br><br> | |||
LANGUAGE<br> | |||
The course will be in English, unless all participants are speaking German.<br><br> | |||
APPLICATION<br> | |||
Please send a motivation letter before April 9th, 2017 to netartist@icloud.com<br><br> | |||
To: netartist@icloud.com<br> | |||
Subject: Techniken des Virtuellen<br> | |||
Content:<br> | |||
* Your motivation to join the course<br> | |||
* Name, Surname<br> | |||
* program and semester (Studienprogramm und Fachsemester)<br> | |||
* matriculation number (Matrikelnummer)<br> | |||
* Valid email address @uni-weimar.de<br><br> | |||
INSPIRATION<br><br> | |||
ARTISTS<br><br> | |||
Cécile B. Evans interview: The Virtual is Real<br> | |||
https://www.youtube.com/watch?v=nDe_W11KY4c<br><br> | |||
A Conversation with Jon Rafman<br> | |||
https://vimeo.com/11685295<br><br> | |||
Jeremy Bailey - The Future of Television (2012)<br> | |||
https://www.youtube.com/watch?v=pClOufl12r8<br><br> | |||
Aram Bartholl - Hurt me plenty (2014)<br> | |||
http://www.aqnb.com/2014/09/25/aram-bartholl-hurt-me-plenty-2014-exhibition-photos/<br><br> | |||
Ed Atkins on his hyper-real and harrowing new films<br> | |||
http://www.dazeddigital.com/artsandculture/article/34547/1/ed-atkins-hyper-real-harrowing-new-films-hisser-safe-conduct-corpsing<br><br> | |||
Constant Dullaart - 100,000 Followers for Everyone!<br> | |||
http://dismagazine.com/dystopia/67039/constant-dullaart-100000-followers-for-everyone/<br><br> | |||
Artificial Ecology: Ian Cheng on the Strange Art of Simulating Life, and the Conceptual Merits of Pokémon Go<br> | |||
http://www.artspace.com/magazine/interviews_features/art-bytes/ian-cheng-interview-54128<br><br> | |||
Petra Cortwright - ✝✝LA.christening vid.move,df ✝Movie on 2013-02-05 at 19.25.mov<br> | |||
https://www.youtube.com/watch?v=84h8pLW1xmE<br><br> | |||
Martin Kohout - Sjezd<br> | |||
http://aqnb.com/uploads/sjezd.html<br><br> | |||
Die Künstlerin Morehshin Allahyari baut im 3D-Drucker zerstörte Kunst nach<br> | |||
http://sz-magazin.sueddeutsche.de/texte/anzeigen/44419/Wir-haben-die-Moeglichkeit-Dinge-auferstehen-zu-lassen<br><br> | |||
Rosa Menkman - DCT:SYPHONING. The 1000000th interval (The 64th interval).<br> | |||
https://vimeo.com/176773197<br><br> | |||
Cory Arcangel: Pro Tools: Various Self Playing Bowling Games, 2011<br> | |||
https://www.youtube.com/watch?v=N5UGN7tq1lQ<br><br> | |||
Woody Vasulka & Brian O'Reilly - Scan Processor Studies<br> | |||
https://www.youtube.com/watch?v=De4DWMyQBfU<br><br> | |||
BOOKS<br><br> | |||
Domenico Quaranta - Beyond New Media Art<br> | |||
http://www.linkartcenter.eu/public/editions/Domenico_Quaranta_Beyond_New_Media_Art_Link_Editions_ebook_2013.pdf<br><br> | |||
Haunted Media: Electronic Presence from Telegraphy to Television<br> | |||
https://www.dukeupress.edu/haunted-media<br><br> | |||
Grafton Tanner - Babbling Corpse - Vaporwave and the commodification of ghosts <br> | |||
http://www.zero-books.net/books/babbling-corpse<br><br> | |||
Art and the Internet<br> | |||
http://netartnet.net/news/announcement/item/779-book-release-art-and-the-internet<br><br> | |||