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==='''Part 1 : project topic'''=== | ==='''Part 1 : project topic'''=== | ||
My project is a creative programming piece with a theme of " Eight views of Xiaoxiang ". " Eight views of Xiaoxiang " is a collective term for a series of scenic places in Hunan, China. It is also a popular art mother subject of thousands years in China and even the whole East Asia. Many painters and poets are using this theme to create. " Eight views of Xiaoxiang " is first used in the Northern Song Dynasty Song Di painting, he titled each view expressed in a corresponding name respectively. And these eight names have been passed until today. However, “Eight views of Xiaoxiang” has always used traditional painting methods for visual expression in China and they have a very “ancient image” and I want to give them a new possibility in modern way. The expression I use is creative programming. Creative programming is a general term for the artistic creation of computer programs. The artistic creation with computers was initiated in the 1960s. Which I believe can rejuvenate the “Eight views of Xiaoxiang “vitality in the present and create their communication with the contemporary. | My project is a creative programming piece with a theme of " Eight views of Xiaoxiang ". " Eight views of Xiaoxiang " is a collective term for a series of scenic places in Hunan, China. It is also a popular art mother subject of thousands years in China and even the whole East Asia. Many painters and poets are using this theme to create. " Eight views of Xiaoxiang " is first used in the Northern Song Dynasty Song Di painting, he titled each view expressed in a corresponding name respectively. And these eight names have been passed until today. However, “Eight views of Xiaoxiang” has always used traditional painting methods for visual expression in China and they have a very “ancient image” and I want to give them a new possibility in modern way. The expression I use is creative programming. Creative programming is a general term for the artistic creation of computer programs. The artistic creation with computers was initiated in the 1960s. Which I believe can rejuvenate the “Eight views of Xiaoxiang “vitality in the present and create their communication with the contemporary. | ||
I appreciate the beautiful scenery rendered by " Eight views of Xiaoxiang " and even advocate their spiritual connotations. They were carefully observed by the ancient people for the nature and I find they are all momentary views with some natural element and super fitly to use program which is geometric, animated, interactive to express. And My project strengths on those moment, changing them, recreating them and preserve them and let my audience know that they just can join me to creat the right moment view, it is a short but eternal view. | |||
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This art piece gives me a great impression on the application of particle system in my project. In this project there is a combination of video of real world and the particle system , the virtual one, I think this is a clever way to make some interaction with the audience .this work let me think about that I am going to try use the particle system together with the video or image compose my project’ basic way of technic idea. | This art piece gives me a great impression on the application of particle system in my project. In this project there is a combination of video of real world and the particle system , the virtual one, I think this is a clever way to make some interaction with the audience .this work let me think about that I am going to try use the particle system together with the video or image compose my project’ basic way of technic idea. | ||
3) Ghost Pole Propagator II by Golan Levin | 3) Ghost Pole Propagator II by Golan Levin | ||
I really like this work, which was made by Golan Levin in 2016 who is an artist, composer and designer whose work focuses on new modes of interactive audiovisual expression. And it is based on his formal version in 2007 of Ghost Pole Propagator which is an interactive installation originally developed for projection in the 13th century Belsay Hall Castle, in Newcastle, England as part of the Picture House exhibition with a catalogue states: "Levin's new interactive installation presents a phantom transcription of visitors to the Belsay Castle, recording and replaying highly abstracted 'skeletons' of the artwork's own observers. Projected on the walls of the castle's medieval kitchen, the quiet and otherworldly animations suggest the bustle of past ghosts, or ancient petroglyphs." And in this 2016 version II, the project has been reimagined at a significantly larger scale, and rendered with the perceptually remarkable light of laser beams. | |||
[[File:屏幕快照 2018-03-29 下午6.35.00.png|400px]] | [[File:屏幕快照 2018-03-29 下午6.35.00.png|400px]] | ||