GMU:Performance Platform Introduction/Etienne Colin: Difference between revisions

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 My name is Etienne COLIN, I am currently studying in a Master's degree in Image and Sound Sciences, Arts and Techniques with a specialisation in sound engineering at the Aix-Marseille University (France).
-The Performance Platform of the Bauhaus University was for me a great opportunity to discover new working methods in immersive and interactive Medias. I Had the opportunity to be initiated to Max, Pure Data and OSC.
+The Performance Platform of the Bauhaus University was for me a great opportunity to discover new working methods in immersive and interactive Medias. I had the opportunity to be initiated to Max, Pure Data and OSC data.
 I was eager to familiarize myself with the state-of-the-art equipment of the Performance Platform in order to experiment on interactions between a performer and a video and especially its potential regarding sound.
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 I thus established that the Root position (x coordinate) in the space will control the carrier frequency of a ring modulation, and that the Head position (x coordinate) in the space will control the center frequency of a notch filter. In that way, when the listener moves on the platform, frequency modulation and a sweep effect will result.
-Besides,
+Besides, the elevation of the left arm (y coordinate) controls the speed of a metronome that generates a fixed frequency subjected to an envelope generator.  The elevation of the right arm (y coordinate) controls the feedback of a delay applied to the same source. When the arm is down, there is no delay (feedback=0) when the arm is raised to the maximum the feedback goes up to 0.7. The association of interactions with both arms was supposed to have a really playful effect on the listener who literally controls the "instrument" like a conductor.
 [[File:subscriber_EColin_1.jpg]]
-The elevation of the left arm (y coordinate) controls the speed of a metronome that generates a fixed frequency subjected to an envelope generator.  The elevation of the right arm (y coordinate) controls the feedback of a delay applied to the same source. When the arm is down, there is no delay (feedback=0) when the arm is raised to the maximum the feedback goes up to 0.7. The association of interactions with both arms was supposed to have a really playful effect on the listener who literally controls the "instrument" like a conductor.
 I must admit that I was frankly disappointed with the final result but I still want to go further in this direction because the possibilities offered by Max are really impressive and have made me want to devote myself seriously into it.