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''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br> | ''Lecturer:'' [[GMU:TheresaSchubert|Theresa Schubert]]<br> | ||
Project Module (Master)<br> | [[:Category:Projektmodul|Project Module]] (Master)<br> | ||
Date: Thursdays 9:15-12:30 <br> | Date: Thursdays 9:15-12:30 <br> | ||
additional lectures Thursdays 19-20:30 (bi-weekly) <br> | additional lectures Thursdays 19-20:30 (bi-weekly) <br> | ||
Consultations: Wednesdays/Thursdays by appointment <br> | Consultations: Wednesdays/Thursdays by appointment <br> | ||
''Venue:'' [[Marienstraße 7b]], Projektraum (Room 204)<br> | ''Venue:'' [[Marienstraße 7b]], [[Marienstraße 7b/204|Projektraum (Room 204)]]<br> | ||
Credits: 18 | Credits: 18 [[ECTS]]<br> | ||
[https://www.uni-weimar.de/qisserver/rds?state=verpublish&status=init&vmfile=no&publishid=40113&moduleCall=webInfo&publishConfFile=webInfo&publishSubDir=veranstaltung| Bison-Portal] | |||
<h2> Art and Biomedia: agencies of being(s)</h2> | |||
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration. | In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration. | ||
| Line 18: | Line 19: | ||
==EVALUATION== | ==EVALUATION== | ||
* regular attendance to classes and active participation through short presentations is mandatory | |||
* development of an individul research project / exhibitable artwork | |||
* documentation of your project on the GMU Wiki | |||
==LITERATURE== | ==LITERATURE== | ||
===ELECTRONIC=== | ===ELECTRONIC=== | ||
* Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage) | * Inge Hinterwaldner: Semiconductor's landscapes as sound-sculpted time-based vizualisations. In: Technoetic Arts Journal Vol 11 No1 (2014): https://www.dropbox.com/s/k48f1v93rm93882/Hinterwaldner_semiconductors-landscape_kl.pdf?dl=0 | ||
* Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. | * Lisa Jevbratt: Interspecies Collaboration - Making Art Together with Nonhuman Animals: https://www.dropbox.com/s/i32f9b2epr1zlxp/jevbratt_interspecies_collaboration.pdf?dl=0 | ||
* Karen Barad: Posthumanist Performativity<br> | * Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage) | ||
* Bennett, Jane (2010): Vibrant matter. A political ecology of things. | * Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory | ||
* Stafford beer: Designing Freedom | * Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf<br> | ||
* Thomas Dreher: Kybernetik und die Pioniere der Computerkunst | * Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf | ||
* D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience: | * Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf | ||
* Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate | * Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html | ||
* Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics | * D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art | ||
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts | * Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate | ||
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. | * Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf | ||
* Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf | |||
* Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf | |||
===BIBLIOTHEK / SEMESTERAPPARAT=== | ===BIBLIOTHEK / SEMESTERAPPARAT=== | ||
* Karen Barad: Agentieller Realismus ISBN 978-3518260456 | * Karen Barad: Agentieller Realismus ISBN 978-3518260456 | ||
* Rosi Braidotti, The Posthuman ISBN 978-0745641584 | * Rosi Braidotti, The Posthuman ISBN 978-0745641584 | ||
* Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842 | * Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842 | ||
* George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144 | * George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144 | ||
* Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142 | * Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142 | ||
* Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397 | * Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397 | ||
* Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497 | * Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497 | ||
* Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction) | * Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction) | ||
* Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 | * Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609 | ||
* Meyers, W. (2015): Bio art. London. ISBN 0500239320 | * Meyers, W. (2015): Bio art. London. ISBN 0500239320 | ||
* William Myers: Bio Design, ISBN 978-0-87070-952-4 | * William Myers: Bio Design, ISBN 978-0-87070-952-4 | ||
* Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904 | * Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904 | ||
* Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?) | * Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?) | ||
* Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. 9814656852 | * Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852 | ||
* Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751 | * Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751 | ||
* Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460 | * Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460 | ||
==LINKS== | ==LINKS== | ||
[[GMU:Bioart Linkliste]] | |||
Online archives / Prizes <br> | Online archives / Prizes <br> | ||
http://www.badaward.nl/artists-scientists | * http://www.badaward.nl/artists-scientists | ||
http://archive.aec.at/prix/ (hybrid art / interactive art) | * http://archive.aec.at/prix/ (hybrid art / interactive art) | ||
https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014) | * https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014) | ||
Online Journals / Blogs<br> | Online Journals / Blogs<br> | ||
http://www.clotmag.com/ (artist interviews/reviews) | * http://www.clotmag.com/ (artist interviews/reviews) | ||
http://www.antennae.org.uk/ (theory, artist presentations) | * http://www.antennae.org.uk/ (theory, artist presentations) | ||
Online documentaries / talks | |||
* All Watched Over by Machines of Loving Grace - Episode 2 - The Use and Abuse of Vegetational Concepts: https://vimeo.com/groups/96331/videos/80799352 | |||
* Cybernetic Serendipity, interview with the curator Jasia Reichardt: https://www.youtube.com/watch?v=n8TJx8n9UsA | |||
* Chris Salter | "Alien Agency – Techno-Science, Art and the Limits of Knowing": https://www.youtube.com/watch?v=tgE8V2aPqNg | |||
* Rosi Braidotti: Posthuman, All Too Human? A Cultural Political Cartography: https://www.youtube.com/watch?v=gNJPR78DptA&index=2&list=PL2pUtZKF8QSmLvbU3Qr6FQ5SKUBZf1Lv7 | |||
Bauhaus Notebooks | |||
* Kandinsky: https://www.dropbox.com/s/b5a42s24m3hr7ve/Kandinsky.pdf?dl=0 | |||
* Klee: https://www.dropbox.com/s/9y5fulakx6py2en/Klee.pdf?dl=0 | |||
* Malewitsch: https://www.dropbox.com/s/2asarzrscp5o2d4/Malewitsch.pdf?dl=0 | |||
==STUDENT PRESENTATIONS== | ==STUDENT PRESENTATIONS== | ||
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW | 18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)<br> | ||
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)<br> | |||
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) (Maike) <br> | |||
15.11. Haraway (cyborg > Chtulucene) (>Frederic)<br> | |||
10.01. Nature & Tech Photography: Dan Holdsworth, Ilkka Halso (Homero) | |||
==STUDENT WORKS == | ==STUDENT WORKS == | ||
* [[/Laura Giraldo/]] | |||
* [[/Tamara Conde/]] | |||
* [[/Frederic Blais-Belanger/]] | |||
* [[/Maike Effenberg/]] | |||
*[[Homero Ruiz]] | |||
==CLASSES== | |||
11 Oktober: Overview, Intro Biomedia Art <br> | 11 Oktober: Overview, Intro Biomedia Art <br> | ||
18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br> | <span style="color: #00af89"> 18 Oktober: Walk 'n' Talk - Forest AND evening lecture <br></span> | ||
25 Oktober: materials & agencies <br> | 25 Oktober: materials & agencies <br> | ||
1 November: Bioart / Art and Science AND evening lecture <br> | <span style="color: #00af89"> 1 November: Bioart / Art and Science AND evening lecture <br></span> | ||
<b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b> | <b>8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture <br></b> | ||
15 November: From (Bio)Cybernetics to... New Materialism <br> | <span style="color: #00af89"> 15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture <br></span> | ||
22 November: Nonhuman Intelligence, Analogue Computing | 22 November: Nonhuman Intelligence, Analogue Computing <br> | ||
<b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn | <b>29 November: Analogue Neural Networks with GUEST Wolfgang Spahn <br></b> | ||
6 Dezember: Posthuman art and design <br> | 6 Dezember: Posthuman art and design AND | ||
13 Dezember: Mid-term presentations | evening lecture (planning for transmediale)<br> | ||
20 Dezember: Posthuman art and design II<br> | <span style="color: #00af89"> 13 Dezember: Mid-term presentations <br></span> | ||
10 Januar: | 20 Dezember: Posthuman art and design II AND evening lecture <br> | ||
<span style="color: #00af89"> | |||
10 Januar: interspecies collaboration + sound-sculpted visualisations (texts by Lisa Jevratt, Steven Shaviro, Inge Hinterwaldner. artworks by Robertina Sebjanic, Maja Smrekar, Lia Girard, Semiconductor) <br></span> | |||
10 Januar afternoon: planning meeting transmediale <br> | |||
17 Januar: data and nature driven | drawing and philosohpy<br> | |||
<span style="color: #00af89"> | |||
24 Januar: presentations AND evening lecture<br></span> | |||
30 Januar- 01 Feb: Excursion Berlin (transmedial et.al) | |||
<br><br> | |||
Final project presentations/delivery: 20 February + | |||
[[Category:Theresa Schubert]] | [[Category:Theresa Schubert]] | ||
[[Category:WS18]] | [[Category:WS18]] | ||
[[Category:Projektmodul]] | |||
Latest revision as of 14:11, 12 March 2019
Lecturer: Theresa Schubert
Project Module (Master)
Date: Thursdays 9:15-12:30
additional lectures Thursdays 19-20:30 (bi-weekly)
Consultations: Wednesdays/Thursdays by appointment
Venue: Marienstraße 7b, Projektraum (Room 204)
Credits: 18 ECTS
Bison-Portal
Art and Biomedia: agencies of being(s)
In the 1960s cybernetician Stafford Beer brought up the idea that there should be a completely new way to the construction of computing elements: finding some material with the appropriate liveliness rather than laboriously engineering dead matter. Since always observations of and in nature have inspired artists. In recent years more and more artists – often with a background in media and technology – have turned to the biological side and included living matter in search for new modes of expression and a shift to nonhuman viewpoints: the autonomy and unpredictability of organisms, a processual approach of observation and revealing, ideas of interspecies-collaboration.
This course focuses on the convergence of bioart and media art. We discuss relevant theories and philosophies. Presentations of artistic projects from the fields of bioart, media art and art+science collaborations will form the basis for the mediation of concepts. Between dirt, dust and data, fluids, cells and organic life, the creation from a non-human perspective is the aim of the project.
What happens at the intersection of art, biology and new media technologies? What are the unique features of living materials and how can they be included in an artistic context? How can ideas based on research and processes of experimentation be translated into sensual experiences?
With a focus on sensory experiences students should develop installations, interfaces, performances, objects, or video works that can be exhibited (exhibition space in Berlin is available). The project is aimed at graduate students and offers both a structured work process as well as self-directed, individual project work and a space for conceptual discussion and idea translation.
EVALUATION
- regular attendance to classes and active participation through short presentations is mandatory
- development of an individul research project / exhibitable artwork
- documentation of your project on the GMU Wiki
LITERATURE
ELECTRONIC
- Inge Hinterwaldner: Semiconductor's landscapes as sound-sculpted time-based vizualisations. In: Technoetic Arts Journal Vol 11 No1 (2014): https://www.dropbox.com/s/k48f1v93rm93882/Hinterwaldner_semiconductors-landscape_kl.pdf?dl=0
- Lisa Jevbratt: Interspecies Collaboration - Making Art Together with Nonhuman Animals: https://www.dropbox.com/s/i32f9b2epr1zlxp/jevbratt_interspecies_collaboration.pdf?dl=0
- Ascott, Roy (1997): Introduction to Consciousness Reframed. In: Leonardo Electronic Almanac vol.5 no.6 (storage)
- Banks, David (2011): A Brief Summary of Actor Network Theory. Cyborgology. https://thesocietypages.org/cyborgology/2011/12/02/a-brief-summary-of-actor-network-theory
- Karen Barad: Posthumanist Performativity: https://www.uio.no/studier/emner/sv/sai/SOSANT4400/v14/pensumliste/barad_posthumanist-performativity.pdf
- Bennett, Jane (2010): Vibrant matter. A political ecology of things. http://film.ncu.edu.tw/word/Vibrant-Matter.pdf
- Stafford beer: Designing Freedom: http://ada.evergreen.edu/~arunc/texts/cybernetics/beer/book.pdf
- Thomas Dreher: Kybernetik und die Pioniere der Computerkunst: http://dreher.netzliteratur.net/4_Medienkunst_Kybernetik.html
- D. López del Rincón (2012): Rematerialized Tendencies in Media Art? FROM SILICON TO CARBON-BASED ART. In: Sociology and Technoscience. https://www.academia.edu/23515810/Rematerialized_Tendencies_in_Media_Art
- Ferrando, Francesca (2012): Towards A Posthumanist Methodology. A Statement. In: Frame. Journal For Literary Studies (25.1), S. 9–18. ON Akademia or research Gate
- Andy Pickering: The Science of the Unknowable: Stafford Beer's Cybernetic Informatics: https://www.asis.org/History/02-pickering.pdf
- Jasia Reichardt: Cybernetic Serendipity: The Computer and the Arts: http://cyberneticserendipity.com/cybernetic_serendipity.pdf
- Thacker, Eugene (2004): Biomedia. Minneapolis: University of Minnesota Press. http://www.gbv.de/dms/hbz/toc/ht014270903.pdf
BIBLIOTHEK / SEMESTERAPPARAT
- Karen Barad: Agentieller Realismus ISBN 978-3518260456
- Rosi Braidotti, The Posthuman ISBN 978-0745641584
- Dunne, Anthony; Raby, Fiona: Speculative Everything: Design, Fiction, ans Social Dreaming, ISBN 978-0262019842
- George Gessert: Green Light. Toward an art of evolution. ISBN 978-0262014144
- Haraway, Donna: Staying with the trouble : making kin in the Chthulucene. ISBN 9780822362142
- Haraway, Donna Jeanne (Hg.) (1991): Simians, cyborgs, and women. The reinvention of nature. New York: Routledge. ISBN 1853431397
- Hauser, Jens (Hg.) (2008): Sk-interfaces. Exploding borders : creating membranes in art, technology and society. Liverpool: FACT; Liverpool University Press. 1846311497
- Landwehr, Kuni: Home Made Bio Electronic Arts: Do-it yourself: Microscopes, Sensors, Sonifications ISBN 978-3856165673 (Introduction)
- Ingeborg Reichle: Art in the Age of Technoscience: Genetic Engineering, Robotics, and Artificial Life in Contemporary Art ISBN 978-3211781609
- Meyers, W. (2015): Bio art. London. ISBN 0500239320
- William Myers: Bio Design, ISBN 978-0-87070-952-4
- Andrew Pickering: The Cybernetic Brain ISBN 978-0226667904
- Salter, Chris (2015): Alien agency. Experimental encounters with art in the making. The MIT Press. (not in library?)
- Schubert, Theresa; Adamatzky A: Experiencing the unconventional: science in art. ISBN 9814656852
- Tsing, Anna Lowenhaupt, The mushroom at the end of the world: on the possibility of life in capitalist ruins. ISBN 9780691162751
- Translife : International Triennal of New Media Art. National Art Museum of China. ISBN 9781846317460
LINKS
Online archives / Prizes
- http://www.badaward.nl/artists-scientists
- http://archive.aec.at/prix/ (hybrid art / interactive art)
- https://vida.fundaciontelefonica.com/en/projects/vida-16/ (until 2014)
Online Journals / Blogs
- http://www.clotmag.com/ (artist interviews/reviews)
- http://www.antennae.org.uk/ (theory, artist presentations)
Online documentaries / talks
- All Watched Over by Machines of Loving Grace - Episode 2 - The Use and Abuse of Vegetational Concepts: https://vimeo.com/groups/96331/videos/80799352
- Cybernetic Serendipity, interview with the curator Jasia Reichardt: https://www.youtube.com/watch?v=n8TJx8n9UsA
- Chris Salter | "Alien Agency – Techno-Science, Art and the Limits of Knowing": https://www.youtube.com/watch?v=tgE8V2aPqNg
- Rosi Braidotti: Posthuman, All Too Human? A Cultural Political Cartography: https://www.youtube.com/watch?v=gNJPR78DptA&index=2&list=PL2pUtZKF8QSmLvbU3Qr6FQ5SKUBZf1Lv7
Bauhaus Notebooks
STUDENT PRESENTATIONS
18.10. Fungi and uncertainty, mycorrizhal fungi, WWW (Tamara)
25.10. Plant interactions (artworks by Sommerer & Mignonneau, Tim Knowles, Interspecifics, +1) (> Laura G.)
01.11 Rebecca Horn (bodylandscapes, body extensions 1960s, kinetic objects) (Maike)
15.11. Haraway (cyborg > Chtulucene) (>Frederic)
10.01. Nature & Tech Photography: Dan Holdsworth, Ilkka Halso (Homero)
STUDENT WORKS
CLASSES
11 Oktober: Overview, Intro Biomedia Art
18 Oktober: Walk 'n' Talk - Forest AND evening lecture
25 Oktober: materials & agencies
1 November: Bioart / Art and Science AND evening lecture
8 November: Vegetal Otherness, Protoyping Tools with GUEST Spela Petric AND evening lecture
15 November: From (Bio)Cybernetics to... New Materialism AND evening lecture
22 November: Nonhuman Intelligence, Analogue Computing
29 November: Analogue Neural Networks with GUEST Wolfgang Spahn
6 Dezember: Posthuman art and design AND
evening lecture (planning for transmediale)
13 Dezember: Mid-term presentations
20 Dezember: Posthuman art and design II AND evening lecture
10 Januar: interspecies collaboration + sound-sculpted visualisations (texts by Lisa Jevratt, Steven Shaviro, Inge Hinterwaldner. artworks by Robertina Sebjanic, Maja Smrekar, Lia Girard, Semiconductor)
10 Januar afternoon: planning meeting transmediale
17 Januar: data and nature driven | drawing and philosohpy
24 Januar: presentations AND evening lecture
30 Januar- 01 Feb: Excursion Berlin (transmedial et.al)
Final project presentations/delivery: 20 February +