GMU:Artists LabIII/Pedro Ramos/Masculinities: Difference between revisions

← Older edit

GMU:Artists LabIII/Pedro Ramos/Masculinities (view source)

Revision as of 08:53, 1 October 2019

10 bytes removed , 1 October 2019

no edit summary

Pedroramos

435

edits

@@ Line 24: / Line 24: @@
 It was also a further stage of referential influence of Expanded Cinema on the development of the project.
-The third stage was the final stage of Skype interviews with men currently residing in other countries, which clarified the importance of expanding the exploration on the theme on a broader sense outside of an intercultural environment, for men mostly displaced from their original countries and societal comprehension on the theme. These interviews, conducted with an interval of over 6 months later than the first interviews, also included a broad set of themes that weren’t included in the first ones, which were also an indicative on how the dynamics of the theme also evolved over the development of the project. This stage also included the video interview with the artist in the studio, conducted by the Taiwanese filmmaker and fellow student Sheng Chou.
+The third stage was the final stage of Skype interviews with men currently residing in their home countries, which clarified the importance of expanding the exploration on the theme on a broader sense outside of an intercultural environment, for men mostly displaced from their original countries and societal comprehension on the theme. These interviews, conducted with an interval of over 6 months later than the first interviews, also included a broad set of themes that weren’t included in the first ones, which were also an indicative on how the dynamics of the theme also evolved over the development of the project. This stage also included the video interview with the artist in the studio, conducted by the Taiwanese filmmaker and fellow student Sheng Chou.
 ==Considerations==
@@ Line 32: / Line 32: @@
 It had many different conceptual stages, as well as different experiments regarding format and content, of which profit is especially on expansion on the comprehension of working with Video and Installation in the dimensions of Media Art.
- The exchange with the participants of the interviews was elemental, which kindly took time for it, was elemental - as well as the exchanges in the classroom in the Artist Lab. Through its development, the project also included conversations with David (Brazil) and Nima (Iran), which couldn’t make into the final project due to technical issues.
+The exchange with the participants of the interviews, which kindly took time for it, was elemental - as well as the exchanges in the classroom in the Artist Lab. Through its development, the project also included conversations with David (Brazil) and Nima (Iran), which couldn’t make into the final project due to technical issues.