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With static photographic collages I began to fragment body parts and overlay them towards infinity. Now I am looking for ways to translate those modes of fragmentation and superposition into something more haptic, materialized, and lively. | With static photographic collages I began to fragment body parts and overlay them towards infinity. Now I am looking for ways to translate those modes of fragmentation and superposition into something more haptic, materialized, and lively. | ||
[[File:mueller_06.JPG| | [[File:mueller_06.JPG|240px]][[File:mueller_08.JPG|240px]][[File:mueller_10.JPG|240px]] | ||
[[File:20200410_124443_950.jpg| | [[File:20200410_124443_950.jpg|360px]][[File:20200325_220939_249.jpg|360px]] | ||
[[File:20200329_000241_577.jpg| | [[File:20200329_000241_577.jpg|360px]][[File:20200401_120727_569.jpg|360px]] | ||
https://www.instagram.com/kalos_kagathos/ | https://www.instagram.com/kalos_kagathos/ |
Revision as of 12:56, 26 April 2022
καλὸς κἀγαθός (“good and sublime”) is the ancient greek describtion of the ideal man. He combines his well-trained body with an excellent mind. He is #beautiful #athletic #sophisticated. He is ready for combat at all times, for his body and mind are potent. You can find him carved out of stone, kept for eternity – but also in the eternal stream of images on Instagram.
Under the Title #OMGuSoMasc I started an artistic research about concepts of masculinity and aesthetic modes of representation that are tethered with them. The research seeks a critical deconstruction of those aesthetics, beginning at the origin of western male body representation with ancient Greek sculptures and building a bridge towards today‘s instagram feeds.
Out the frame of #OMGuSoMasc several photo and video works and a performance emerged.
With static photographic collages I began to fragment body parts and overlay them towards infinity. Now I am looking for ways to translate those modes of fragmentation and superposition into something more haptic, materialized, and lively.
https://www.instagram.com/kalos_kagathos/
The goal is to re-translate those virtual representations into something corporeal...
Sketch:
Influences:
KOMBUCHA LEATHER
https://www.behance.net/gallery/82760205/Kombucha-leather
YING GAO
https://vimeo.com/yinggao/flowingwater
http://yinggao.ca/interactifs/flowing-water-standing-time/
DOREEN GARNER
https://www.artforum.com/print/reviews/201802/doreen-garner-and-kenya-robinson-73687
GORY ORGY INC.