GMU:Designing Utopias: Theory and Practice/Jemma Woolmore: Difference between revisions
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Through a series of rituals, sensing experiments and forms of storytelling I seek to challenge myself towards a more spiritual and reciprocal connection with the river. Acknowledging that colonialism, white privilege, dominant scientific practice and capitalism have shaped my worldview and my relationships with more-than-human worlds I choose to stretch my imagination towards possible futures of co-evolution: to imagine how a close relationship with a body of water might look. What a spiritual connection to water might entail, resemble, or signify. What might the interaction between a river and a human be like if it were mutual? | Through a series of rituals, sensing experiments and forms of storytelling I seek to challenge myself towards a more spiritual and reciprocal connection with the river. Acknowledging that colonialism, white privilege, dominant scientific practice and capitalism have shaped my worldview and my relationships with more-than-human worlds I choose to stretch my imagination towards possible futures of co-evolution: to imagine how a close relationship with a body of water might look. What a spiritual connection to water might entail, resemble, or signify. What might the interaction between a river and a human be like if it were mutual? | ||
A ritual can simply be a set of protocols, not unlike a scientific experiment, that allow us to give space for gratitude, restoration and acknowledging stakeholders (relations) in all their forms. Ritual is a technology that allows us to slow down, make ‘good relations’ (''Liboiron, Pollution is Capitalism'') with the communities (bodies and environments) closest to us and bring new imaginaries into being. Following Michelle Murphy’s concept of Alterlife this project uses ritual to make “words, protocols, and methods that might honour the inseparability of bodies and land". | |||
In this project I use ritual to clearly mark out a time and space to challenge the accelerating pace of our techno capitalist world, to be in the moment with my body and to navigate new ways of being-with nature. | |||
Ritual becomes a vehicle to make connections across bodies, scales, cycles, offering a way of ‘staying with our troubles’ (''Haraway'') whilst envisioning alternative ways of being in the world. | |||
===METHODOLOGY=== | |||
====RITUALS==== | |||
I will develop and enact one ritual or action per week. The rituals will use different approaches from deep listening, body work, practices of more-than-human care, meditation, feminist ritual practice, performance/body art. Working towards finding modes of connection that speak to me, make me feel. | |||
====COMPANION SPECIES==== | |||
*Build a relationship with Daphnia. | |||
*Check for Daphnia in the river Ilm. | |||
*Daphnia as biological sensors for river health. | |||
*Explore what relations of care might mean between Daphnia and I. | |||
*Grow and study Daphnia in the lab. | |||
<blockquote>“Here, making time for care appears as a disruption of anthropocentric temporalities” (Matters of Care p23, Maria Puig de la Bellacasa) <blockquote> | |||
====STORYTELLING==== | |||
*Digital storytelling tools: VR, AI, audio | |||
*Explore future narratives where I partner with Daphnia as a companion species. | |||
*Through ritual and storytelling bring into being new possibilities. | |||
Revision as of 22:47, 14 December 2022
RITUAL AS SENSOR; RITUAL AS CARE
I feel disconnected to nature. As do, I imagine, many people in the urbanized world, and it is partly this disconnection that drives the ecological emergency threatening bodies of water at a global level. This project is a personal exploration of methodologies to find ways of countering that disconnection and form new relations with the river Ilm in Weimar.
Through a series of rituals, sensing experiments and forms of storytelling I seek to challenge myself towards a more spiritual and reciprocal connection with the river. Acknowledging that colonialism, white privilege, dominant scientific practice and capitalism have shaped my worldview and my relationships with more-than-human worlds I choose to stretch my imagination towards possible futures of co-evolution: to imagine how a close relationship with a body of water might look. What a spiritual connection to water might entail, resemble, or signify. What might the interaction between a river and a human be like if it were mutual?
A ritual can simply be a set of protocols, not unlike a scientific experiment, that allow us to give space for gratitude, restoration and acknowledging stakeholders (relations) in all their forms. Ritual is a technology that allows us to slow down, make ‘good relations’ (Liboiron, Pollution is Capitalism) with the communities (bodies and environments) closest to us and bring new imaginaries into being. Following Michelle Murphy’s concept of Alterlife this project uses ritual to make “words, protocols, and methods that might honour the inseparability of bodies and land". In this project I use ritual to clearly mark out a time and space to challenge the accelerating pace of our techno capitalist world, to be in the moment with my body and to navigate new ways of being-with nature. Ritual becomes a vehicle to make connections across bodies, scales, cycles, offering a way of ‘staying with our troubles’ (Haraway) whilst envisioning alternative ways of being in the world.
METHODOLOGY
RITUALS
I will develop and enact one ritual or action per week. The rituals will use different approaches from deep listening, body work, practices of more-than-human care, meditation, feminist ritual practice, performance/body art. Working towards finding modes of connection that speak to me, make me feel.
COMPANION SPECIES
- Build a relationship with Daphnia.
- Check for Daphnia in the river Ilm.
- Daphnia as biological sensors for river health.
- Explore what relations of care might mean between Daphnia and I.
- Grow and study Daphnia in the lab.
“Here, making time for care appears as a disruption of anthropocentric temporalities” (Matters of Care p23, Maria Puig de la Bellacasa)
STORYTELLING
- Digital storytelling tools: VR, AI, audio
- Explore future narratives where I partner with Daphnia as a companion species.
- Through ritual and storytelling bring into being new possibilities.