GMU:Construction - Destruction: Difference between revisions

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== Readings ==
== Readings ==


* [https://monoskop.org/images/c/c9/Stiles_Kristine_1987_Synopsis_of_the_Destruction_in_Art_Symposium_and_Its_Theoretical_Significance.pdf Destruction in Art Symposium]
* Anna Tsing: Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene ISBN 978-1517902360
* Anna Tsing: Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene ISBN 978-1517902360
* Bruno Latour and Peter Weibel: Critical Zones ISBN 9780262044455
* Bruno Latour and Peter Weibel: Critical Zones ISBN 9780262044455
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* [https://times-of-waste.ch/wp-content/uploads/2018/01/YVolkart_From-Trash_to_Waste-1.pdf Yvonne Volkart: From Trash to Waste]
* [https://times-of-waste.ch/wp-content/uploads/2018/01/YVolkart_From-Trash_to_Waste-1.pdf Yvonne Volkart: From Trash to Waste]
* Hannah Arendt: The freedom to be free https://www.penguin.co.uk/books/320/320067/the-freedom-to-be-free/9780241472880.html
* Hannah Arendt: The freedom to be free https://www.penguin.co.uk/books/320/320067/the-freedom-to-be-free/9780241472880.html
==  Timetable Presentations ==
{| class="wikitable"
|-
| '''Week'''
| '''Date'''
| '''Presenter'''
|-
| 9
|06. December 2022
|  N.N.
|-
|10
| 13. December 2022
|  Mojjo, Martin Müller
|-
|10
| 20. December 2022 (virtual)
|  Amelia
|-
|11
| 03 January 2023 (virtual?)
| maps and territories
|-
| 12
|10. January 2023
| Visual Noise (Max), Nodari
|-
| 13
|17. January 2023
|  Thai Tai, Rodrigue
|-
|14
| 24. January 2023
|  Cosmo, Stefan
|-
|15
| 31. January 2023
| Passion, Mojjo Projektpräsentation, Eirini, Ece
|-
|16
| 07. February 2023
| Final Presentation before semester break (all!)
|}
[[Category:WS22]]


== Artists ==
== Artists ==
* [https://www.tate.org.uk/art/artists/gustav-metzger-7196 Gustav Metzger]
* [https://www.tate.org.uk/art/artists/gustav-metzger-7196 Gustav Metzger]
* [https://www.ardmediathek.de/video/capriccio/werkschau-der-amerikanischen-kuenstlerin-joan-jonas-in-muenchen/br-fernsehen/Y3JpZDovL2JyLmRlL3ZpZGVvL2E1NGYwMDA0LTI0ZDUtNGM0Ni1hYjQ1LWI4MWMzYmIwYmY1OA?fbclid=IwAR369QoHCAb8S6Hm9-euv4rZ5T16gOmgdQKG73jVJflTdKjlYvV4jvY2_aQ Joan Jonas in TV]
* [https://vimeo.com/106706806 Yoko Ono Cut piece]
* [https://vimeo.com/106706806 Yoko Ono Cut piece]
* [https://jennasutela.com/ Jenna Sutela]
* [https://jennasutela.com/ Jenna Sutela]
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* [https://aesf.art/ AES+F]
* [https://aesf.art/ AES+F]
* [http://sheldon-brown.net/ Sheldon Brown]
* [http://sheldon-brown.net/ Sheldon Brown]
* [https://refikanadol.com/ Refik Anadol]
* [https://refikanadol.com/ Refik Anadol (as a phenomenon rather than an artist)]


== Projects ==
== Projects ==
* [https://critical-zones.zkm.de/#!/ Critical Zones Web Platform]
* [https://critical-zones.zkm.de/#!/ Critical Zones Web Platform]
* [https://news.mit.edu/2019/self-transforming-robot-blocks-jump-spin-flip-identify-each-other-1030 Self-transforming robot]
* [https://critical-zones.zkm.de/#!/detail:lynn-margulis-archive-arbeitstitel Lynn Margulis: Live is a process]
* [https://critical-zones.zkm.de/#!/detail:perimeter-pfynwald-a-soundscape-observatory Marcus Maeder: Perimeter Pfynwald. A Soundscape Observatory]
* [https://www.julianrosefeldt.com/film-and-video-works/detonation-deutschland-1996/installation-views/ Julian Rosefeldt Detonation Deutschland]
* [https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&ved=2ahUKEwjFyKe8ocb6AhWuhv0HHbjRAK44ChAWegQICBAB&url=https%3A%2F%2Fwww.archplus.net%2Fdownload%2Fartikel%2F5029%2F&usg=AOvVaw1jhIWYdcOJMwoz7aHMDm7p  The Architecture Machine Group]
* [https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&ved=2ahUKEwjFyKe8ocb6AhWuhv0HHbjRAK44ChAWegQICBAB&url=https%3A%2F%2Fwww.archplus.net%2Fdownload%2Fartikel%2F5029%2F&usg=AOvVaw1jhIWYdcOJMwoz7aHMDm7p  The Architecture Machine Group]
* [https://blogs.otis.edu/in-focus/robots-r-us/ Robotic Chair by Max Dean, Raffaello D'Andrea, Matt Donovan]
* [https://blogs.otis.edu/in-focus/robots-r-us/ Robotic Chair by Max Dean, Raffaello D'Andrea, Matt Donovan]
* [https://youtu.be/FXY6ocvaZyE Ant Farm Media Burn]
*  [https://youtu.be/JRPUjc5jLHM Andreas Angelidakis: The walking building], [https://youtu.be/6EZvOm6zMmk The building who wants to become a mountain (Walking building II]
* [https://vimeo.com/231411671 Johann Grimonprez: dial H-I-S-T-O-R-Y]
* [https://www.sfmoma.org/watch/peter-campus-on-his-most-famous-work-and-why-he-hates-it/ Peter Campus on 3 transitions]
== Projects related to Artificial Life ==
* [https://en.wikipedia.org/wiki/Molecubes Self replicating cubes]
* [https://news.mit.edu/2019/self-transforming-robot-blocks-jump-spin-flip-identify-each-other-1030 Self-transforming robot]
* [https://alien-project.org/ Artificial Life environment]


== Student work (your contributions) ==
== Student work (your contributions) ==
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[[Category:Projektmodul]]
[[Category:Projektmodul]]
[[Category:Ursula Damm]]
[[Category:Ursula Damm]]
*[[ Amelia Eickhoff]]
* [[Nodari Gogosashvili]]
* Franziska Kraetschmar
* Claas Matti Julius Krause
* Mojjo Krenz
* [[Maximilian Götz]]
* Victoria Mikhaylova
* [[/Martin Müller]]
* Lan Nguyen
* [Stefan Ralevic][https://www.uni-weimar.de/kunst-und-gestaltung/wiki/User:Stefan_Ralevic]
* [[/Rodrigue Saad]]
*  [[/Cosmo Niklas Schüppel]]
* Ece Sungur
* [[/Thai Tai Pham]]
* [[EiriniK]]
*[[/Cagdas Biber]]
* [[Passion Asasu]]

Latest revision as of 22:07, 15 May 2023

Construction destruction s+.jpg how DALL·E interprets the topic [1]


Construction and deconstruction processes can be observed in all areas of activity, there occurring as build up and dismantling. Both activities are mutually dependent. In order to be able to build up, another structure must be broken down. These activities indicate the limited availability of space and time, the need to be thought of in cycles. In their respective contexts, they develop meaning, morality, violence, hope. They appear to us in non-ending promises of growth in capitalism, the loss of nature through climate change or massive destructions of wars, but also in the natural decay and the natural growth. We are permanently confronted with the phenomena of construction and destruction and have every reason to reflect on them. In art, Gustav Metzger in his autodestructive art or Mierle Ladermann-Ukeles in her "Maintenance Art" have positioned themselves on this. "Politics of care" also think in a different way about the future. Where do we stand? How do we deal with construction, destruction, poiesis or decay? What processes do we use for our personal research? The project proposes a practical approach to the topic and offers the opportunity to experiment with the different forms of constructing or destruction and to address their mechanisms of action and their impact in their environment.

I'm curious how you are interpreting construction and destruction and where you see the fields of activities for artists, designers and architects.

Besides the fach courses of my co-workers who wil, this semester, Christian Doeller will be assisting us with practical support to develop interactive artefacts within the context of the project.

Meetings in presence Tuesdays at 9.15 - 12.30 the Digital Bauhaus Lab Bauhaus Strasse 7, ground floor. Start: October 18th

Readings

Timetable Presentations

Week Date Presenter
9 06. December 2022 N.N.
10 13. December 2022 Mojjo, Martin Müller
10 20. December 2022 (virtual) Amelia
11 03 January 2023 (virtual?) maps and territories
12 10. January 2023 Visual Noise (Max), Nodari
13 17. January 2023 Thai Tai, Rodrigue
14 24. January 2023 Cosmo, Stefan
15 31. January 2023 Passion, Mojjo Projektpräsentation, Eirini, Ece
16 07. February 2023 Final Presentation before semester break (all!)

Artists

Projects

Projects related to Artificial Life

Student work (your contributions)

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