Rpsr: Difference between revisions

Revision as of 08:33, 7 November 2023

Vorbau

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Idee

The microphone listens 'alone'. It listens and aligns itself by localizing sound sources. Viewers perceive the presence of the microphone. However, it is not possible to hear what the microphone 'hears'. Communication with the viewer takes place in the direction and movement of the microphone. Viewers therefore do not perceive by means of or through the microphone, but by observing and imagining the microphone and its mode of operation. Will the viewers then listen more closely? Will they be quiet and still in order to stay under the microphone's radar?

Revision as of 14:11, 6 November 2023 (view source) Rpsr (talk \| contribs) (→‎Vorbau) Tag: Visual edit ← Older edit		Revision as of 08:33, 7 November 2023 (view source) Rpsr (talk \| contribs) No edit summary Tag: Visual edit Newer edit →
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	====== ''Idee'' ======		====== ''Idee'' ======

	[[File:Screenshot 2023-11-06 .jpg\|thumb\|left]]~~Das Mikrofon hört ,alleine~~'. ~~Es lauscht und richtet sich aus, indem es Klangquellen lokalisiert~~. ~~Betrachter:innen nehmen die Präsenz des Mikrofons wahr~~. ~~Es kann aber nicht gehört werden~~, ~~was das Mikrofon ,hört~~'. ~~Die Kommunikation mit den Betrachter:innen findet~~ in ~~der Ausrichtung und Bewegung des Mikrofons statt~~. ~~Betrachter:innen nehmen also nicht mittels oder durch das Mikrofon wahr~~, ~~sondern über eine Betrachtung und Imagination des Mikrofons und seiner Wirkweise~~. ~~Hören die Betrachter:innen dann besser zu~~? ~~Werden sie leise und~~ still ~~sein, um unter dem Radar des Mikrofons zu bleiben~~?		[[File:Screenshot 2023-11-06 .jpg\|thumb\|left]]The microphone listens 'alone'. It listens and aligns itself by localizing sound sources. Viewers perceive the presence of the microphone. However, it is not possible to hear what the microphone 'hears'. Communication with the viewer takes place in the direction and movement of the microphone. Viewers therefore do not perceive by means of or through the microphone, but by observing and imagining the microphone and its mode of operation. Will the viewers then listen more closely? Will they be quiet and still in order to stay under the microphone's radar?