Amelia /Embodiment Toolkit: Difference between revisions

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-'''TOUCH GRAB INTERACT'''
+== WER BIN ICH WENN ICH NICHT ICH BIN? ==
+https://vimeo.com/962964298
+[[File:BildAusstellung.jpg|center|thumb|1105x1105px]]
+@ Christian Döller
+[[File:Exvero2.jpg|thumb|564x564px]][[File:Exvero.jpg|thumb|602x602px]][[File:Exvero3.jpg|thumb|560x560px]]
+This anti-orthesis serves as an understanding and speculative exploration of how we interact with our environment and networks, as well as a provocative tool for exploring the dualistic categories of objects and subjects.  This self-experience explores how our bodies are structured to understand the connections of our networks and to challenge conventional notions of how alternative body forms might alter our network of interactions and relationships. By preventing and abstracting everyday functions of the hands, this anti-orthesis causes a continuous restructuring of our perception and interaction with the environment, revealing the situatedness of human life realities, which enables awareness of other possible situatednesses and states.The interaction between human and object reveals the possibilities for action within our network and illuminates how our bodies and objects interact in a dynamic interplay of relationships. It aims to test the limits of the human body and questions the traditional master-servant dynamic between human and object. It provokes a re-evaluation of human agency and the agency of objects.
+Drawing on Haraway's essay of "situated knowledge" and Bruno Latour's actor-network theory, this project aims to clarify the limits of the human* through the constraint of the hand and its grasping function, thereby stimulating a re-evaluation of human agency and the agency of objects*.
+ANT serves as a framework for understanding this interaction, as it asserts that objects*/things have agency because they participate in networks of action, meaning and relationship, and thus the boundaries and dualisms of subject and object become fluid.
+Above all, however, Haraway's rejection of universal objectivity and the assertion that all knowledge comes from a "situatedness" also serves as a design parameter. Donna Haraway is of the opinion that knowledge cannot be universally objectified, as it varies and is evaluated considerably depending on the context. This perspective also extends to the understanding of bodily functions, whereby a body that deviates from social physical norms experiences a different reality than a body that conforms to the norms. Haraway challenges the notion of objectivity and asserts that all knowledge is inherently subjective and embedded in a network of relationships.
+These rings, as non-human actors, exercise agency by constraining human actions, thus changing the network of interaction and challenging views of domination and control. It promotes a new understanding of the complex and situational web of relationships that we refer to as our "objective" reality. By introducing conscious constraints and inversions, this anti-orthesis highlights often overlooked and unconscious dependencies and vulnerabilities in the relationship and boundaries between human* and object*.
+The design is intended to evoke an expanded state of consciousness and encourages users to reflect on their cognitive processes and overall connectivity, transforming perceptions to serve as a stepping stone for a shift in self-perception and collective consciousness. The anti-orthesis creates a symbiotic relationship between people*and objects*and entities in which each influences and improves the state of the other. Through their interaction, the network of these objects* and their users* has the potential to evolve into a conscious entity that is constantly adapting and gaining complexity and understanding about itself, as a human being.
+'''idea'''
+Create Anti-Orthosis to make aware of networkfunctions
+''An orthosis is an orthopaedic aid that is externally attached to the body and is intended to relieve, stabilize or correct joints, muscles or bones, thereby supplementing their form and function.''
+>>>>>>
+To bring the body into the socially expected state in order to function and survive in the cultural and natural networks.
+== PROCESS ==
+TOOLKIT FOR ENCOUNTERS
+What is Touch? Do I touch or am I touched? What to my hands encounter what my eyes dont? Observing afterwards. Looking back on what I touched. I grab, I touch, I let go? But what continues to stay with me? What sourrounds me that passes by? Why am I the Way I am and Who am I when I am not Myself?
+Abstracting functionalities
+[[File:ObservationTouch.pdf]]
+[[File:ObservationTouch .jpg|500x500px]][[File:ObservationTouch Seite 2 Bild 0001.jpg|500x500px]]
 Diese Anti-Orthese dient dem Verständnis und der spekulativen Erforschung der Interaktion mit unserer Umwelt und Netzwerken,wie auch als provokatives Werkzeug zur Erforschung der Dualistischen Kategorien von Objekten und Subjekten.  Diese Selbsterfahrung untersucht, wie unser Körper strukturiert ist um die Verbindungen unserer Netzwerke zu verstehen und konventionelle Vorstellungen zu hinterfragen , wie alternative Körperformen unser Netzwerk von Interaktionen und Beziehungen verändern könnten.   Indem sie alltägliche Funktionen der Hände verhindert und abstrahiert, bewirkt diese Anti-Orthese eine kontinuierliche Umstrukturierung unserer Wahrnehmung und Interaktion mit der Umwelt und offenbart die situiertheit der menschlichen Lebensrealitäten, welche das Bewusstsein für weitere möglichen Situiertheiten und Zustände ermöglicht.
 Die Interaktion zwischen Mensch und Objekt offenbart die Handlungsmöglichkeiten innerhalb unseres Netzwerks und beleuchtet, wie unsere Körper und Objekte in einem dynamischen Wechselspiel  und Beziehungen interagieren. Es soll die Grenzen des menschlichen Körpers aus und stellt die traditionelle Herr-Diener-Dynamik zwischen Mensch und Objekt in Frage testen und provoziert eine Neubewertung der menschlichen Handlungsfähigkeit und der Handlungsfähigkeit von Objekten.