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===2. November=== | ===2. November=== | ||
Solitary Heroines and Heroes | Solitary Heroines and Heroes I | ||
#Impulse paper (Felix): The Making-up of the artist -- The ''ZEITMagazin'''s studio visits | #Impulse paper (Felix): The Making-up of the artist -- The ''ZEITMagazin'''s studio visits | ||
#Text summaries | #Text summaries | ||
#:all in ''Topos Atelier. Werkstatt und Wissensform'' (see bibliography and semester apparatus at the Limona library branch) | #:all in ''Topos Atelier. Werkstatt und Wissensform'' (see bibliography and semester apparatus at the Limona library branch) | ||
#:: | #::'''Gelshorn, Julia''' ''The Making of the Artist. Das Atelier als Ort männlicher Selbsterschaffung'' | ||
#::'''Molderings, Herbert''' ''Nicht die Objekte zählen, sondern die Experimente. Marcel Duchamps New Yorker Atelier als Wahrnehmungslabor'' | |||
#:: | |||
#Presentation of areas of interest / raw project outlines by each class particpant | #Presentation of areas of interest / raw project outlines by each class particpant | ||
#Assignment | #Assignment | ||
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===9. November=== | ===9. November=== | ||
#Discussion of class participants’ project proposals | |||
#Assigment | |||
#:Read: '''Bätzner, Nike''' ''Das Atelier als Zelle. Konzepte von Piero Manzoni, Tehching Hsieh und Bruce Nauman'', in: Diers, Michael / Wagner, Monika: Topos Atelier. Werkstatt und Wissensform | |||
---- | ---- | ||
===16. November=== | ===16. November=== | ||
Solitary Heroines and Heroes II | |||
#Paper presentation: Georgios Koumanidis – '''Bruce Nauman''' ''Mapping the Studio'' | |||
Art Enterprises -- Warhol, Koons, Eliasson, et al. | Art Enterprises -- Warhol, Koons, Eliasson, et al. | ||
#Paper Presentation | |||
#:Jason Reizner: '''Andy Warhols's Factory''' | |||
#:Sylvia Langenbrinck – '''Studio Olafur Eliasson''' | |||
---- | ---- | ||
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===23. November=== | ===23. November=== | ||
#Screening of '''Jacques Tati''' ''Play Time (aka Playtime aka Tatis herrliche Zeiten)'', 1967, 124min, DVD | #Screening of '''Jacques Tati''' ''Play Time (aka Playtime aka Tatis herrliche Zeiten)'', 1967, 124min, DVD | ||
#Interim presentation of project progress, group 1 | #Interim presentation of project progress, group 1 | ||
---- | ---- | ||
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---- | ---- | ||
===7. December=== | ===7. December=== | ||
#Screening of ''Mad Men'', TV series, third season, 2009 | |||
#Interim presentation of project progress, group 2 | |||
#Assignment | #Assignment | ||
#:Read excerpts (TBA!) from '''Friebe, Holm / Lobo, Sascha''' ''Wir nennen es Arbeit. Die digitale Boheme oder: Intelligentes Leben jenseits der Festanstellung'' | #:Read excerpts (TBA!) from '''Friebe, Holm / Lobo, Sascha''' ''Wir nennen es Arbeit. Die digitale Boheme oder: Intelligentes Leben jenseits der Festanstellung'' |
Revision as of 14:40, 9 November 2010
Important: Please enter your names where indicated [NAME]if you are willing ;-) to present a short paper about an artist/project/topic. THX
Prologue
19. October 2010
- Introduction to class topics, assignment-types, excursions
- Assignment
- Read O'Doherty, Brian Studio and Cube (See bibliography for full library reference)
First Chapter: Between Ascetic Solitude and Productive Bustle: Artist Studios Now and Then
26. October
- Discussion of Brian O'Doherty Studio and Cube
- (further artists/works not in the text discussed briefly include Bruce Nauman Bouncing in a Corner / Mapping the Studio and On Kawara I got up at / I am still alive)
- Discussion / assignment of possible paper presentation topics
- Assignment
- Prepare an outline of your area of interest / project proposal for presentation and discussion.
- Due: Nov 2nd (presentation 5min. max + 5min discussion time)
2. November
Solitary Heroines and Heroes I
- Impulse paper (Felix): The Making-up of the artist -- The ZEITMagazin's studio visits
- Text summaries
- all in Topos Atelier. Werkstatt und Wissensform (see bibliography and semester apparatus at the Limona library branch)
- Gelshorn, Julia The Making of the Artist. Das Atelier als Ort männlicher Selbsterschaffung
- Molderings, Herbert Nicht die Objekte zählen, sondern die Experimente. Marcel Duchamps New Yorker Atelier als Wahrnehmungslabor
- all in Topos Atelier. Werkstatt und Wissensform (see bibliography and semester apparatus at the Limona library branch)
- Presentation of areas of interest / raw project outlines by each class particpant
- Assignment
9. November
- Discussion of class participants’ project proposals
- Assigment
- Read: Bätzner, Nike Das Atelier als Zelle. Konzepte von Piero Manzoni, Tehching Hsieh und Bruce Nauman, in: Diers, Michael / Wagner, Monika: Topos Atelier. Werkstatt und Wissensform
16. November
Solitary Heroines and Heroes II
- Paper presentation: Georgios Koumanidis – Bruce Nauman Mapping the Studio
Art Enterprises -- Warhol, Koons, Eliasson, et al.
- Paper Presentation
- Jason Reizner: Andy Warhols's Factory
- Sylvia Langenbrinck – Studio Olafur Eliasson
Second Chapter: Office Cultures
23. November
- Screening of Jacques Tati Play Time (aka Playtime aka Tatis herrliche Zeiten), 1967, 124min, DVD
- Interim presentation of project progress, group 1
30. November
- EXCURSION TO BERLIN
- Visits
- Betahaus and other co-working spaces
- Volksboutique
- Visits
7. December
- Screening of Mad Men, TV series, third season, 2009
- Interim presentation of project progress, group 2
- Assignment
- Read excerpts (TBA!) from Friebe, Holm / Lobo, Sascha Wir nennen es Arbeit. Die digitale Boheme oder: Intelligentes Leben jenseits der Festanstellung
Third Chapter: Return to 9-to-5: Digital Nomads awakening
14. December
- Discussion: Friebe, Holm / Lobo, Sascha Wir nennen es Arbeit. Die digitale Boheme oder: Intelligentes Leben jenseits der Festanstellung
- Text summary
- Möntmann, Nina Das Verlassen des Ateliers. Zwischen emanzipatorischer Einmischung und neoliberaler Flexibilisierung, in: Topos Atelier (see bibliography)
21. December
4. January 2011
11. January
18. January
25. January
1. February
- Evaluation feedback
- FINAL PRESENTATION OF WORKS (marathon unit, bring food + energy drinks!)
- All particpants: 10min slide presentation + 10min review/discussion each
- Works need not be finished until Feb 1st but should be well in progress. This schedule is subject to change if there will be one large group show.