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==Points of View== | ==Points of View (2010/2011)== | ||
Artist: Thomas Grill | Artist: [http://grrrr.org Thomas Grill] | ||
Electroacoustic composition in five movements, total duration 18′. | Electroacoustic composition in five movements, total duration 18′. | ||
16 discrete channels | 16 discrete audio channels. | ||
The | The "Points of View" feature sound materials that hardly show relations to natural-sounding objects. Nor do the composed acoustic spaces originate from familiar contexts. The spaces enwrap, open up windows, form edges and surfaces. Sounds develop therein, unfold their existences and interact with each other. The listener cannot escape from taking his/her position within this sonic field, exposed to an architecture of sounds and their intrinsic mechanisms. Once almost familiar, and then again totally alien. | ||
*http://grrrr.org/points_of_view | |||
*http://grrrr.org | |||
{{Template:PdCon11}} | {{Template:PdCon11}} |
Revision as of 10:34, 18 July 2011
Points of View (2010/2011)
Artist: Thomas Grill
Electroacoustic composition in five movements, total duration 18′. 16 discrete audio channels.
The "Points of View" feature sound materials that hardly show relations to natural-sounding objects. Nor do the composed acoustic spaces originate from familiar contexts. The spaces enwrap, open up windows, form edges and surfaces. Sounds develop therein, unfold their existences and interact with each other. The listener cannot escape from taking his/her position within this sonic field, exposed to an architecture of sounds and their intrinsic mechanisms. Once almost familiar, and then again totally alien.
4th international Pure Data Convention 2011 Weimar ~ Berlin