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Electroacoustic composition in five movements, total duration 18′. | Electroacoustic composition in five movements, total duration 18′. | ||
16 | For 16 groups of loudspeakers. | ||
The "Points of View" feature sound materials that hardly show relations to natural-sounding objects. Nor do the composed acoustic spaces originate from familiar contexts. The spaces enwrap, open up windows, form edges and surfaces. Sounds develop therein, unfold their existences and interact with each other. The listener cannot escape from taking his/her position within this sonic field, exposed to an architecture of sounds and their intrinsic mechanisms. Once almost familiar, and then again totally alien. | The "Points of View" feature sound materials that hardly show relations to natural-sounding objects. Nor do the composed acoustic spaces originate from familiar contexts. The spaces enwrap, open up windows, form edges and surfaces. Sounds develop therein, unfold their existences and interact with each other. The listener cannot escape from taking his/her position within this sonic field, exposed to an architecture of sounds and their intrinsic mechanisms. Once almost familiar, and then again totally alien. | ||
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19.00 - 22.30<br> | 19.00 - 22.30<br> | ||
[[PDCON:Venues/Fürstensaal|Platz der Demokratie, Fürstenhaus Fürstensaal]] | [[PDCON:Venues/Fürstensaal|Platz der Demokratie, Fürstenhaus Fürstensaal]] | ||
{{Template:PdCon11}} | {{Template:PdCon11}} | ||
Latest revision as of 23:17, 5 August 2011
Points of View (2010/2011)
Artist: Thomas Grill
Electroacoustic composition in five movements, total duration 18′. For 16 groups of loudspeakers.
The "Points of View" feature sound materials that hardly show relations to natural-sounding objects. Nor do the composed acoustic spaces originate from familiar contexts. The spaces enwrap, open up windows, form edges and surfaces. Sounds develop therein, unfold their existences and interact with each other. The listener cannot escape from taking his/her position within this sonic field, exposed to an architecture of sounds and their intrinsic mechanisms. Once almost familiar, and then again totally alien.
Concert:
Monday 08. Aug 2011
19.00 - 22.30
Platz der Demokratie, Fürstenhaus Fürstensaal
4th international Pure Data Convention 2011 Weimar ~ Berlin