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→Georgios: /Paper Interiors/
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== | == [[User:Phillip Klein|Phillip]]: [[/analogue captcha/]] == | ||
[[File: | [[File:a-captcha-pk-2011.jpg|thumb|Type the two words]] | ||
What if captchas get part of our analog world in case that there are just as much androids as real human beings on the planet? | |||
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== [[User:Hier|Philipp]]: [[/Smartphones in Movies/]] == | |||
[[File:Crusoe.jpg|Robinson Crusoe|thumb|Smartphones in Movies]] | |||
In this collection of images I will show how the understanding of particular movies would have changed using smartphones.<br> | |||
I will show that even using this modern technics can be a huge failure. | |||
Furthermore how Smartphones would have changed history if they played a major role back then. | |||
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== [[User:Cizi9485|Catalina]]: [[/Miniaturized/]] == | |||
[[File:Miniaturized.jpg|thumb|miniaturized]] | |||
''I am what is around me - Wallace Stevens (fragment of the poem "Theory") | |||
'' | |||
Durch den Gebrauch von Fotomontage verwandeln sich die alltäglichen Gegenstände in Landschaften, die miniaturisierte Personen enthalten. Die Menschen durchreisen die Dinge, sie erkunden sie, nähren sich von ihnen, leben in ihnen. Sie absorbieren die Gegenstände und lassen sich von ihnen absorbieren. Die Dinge ihrerseits werden lebendig und können auf die Subjekte reagieren. | |||
''Objects & Apparitions (fragment) <br> | |||
"''Monuments to every moment'', <br> | |||
''refuse of every moment, used:'' <br> | |||
''cages for infinity.''
<br> | |||
''Marbles, buttons, thimbles, dice, pins'', <br> | |||
''stamps, and glass beads:'' <br> | |||
''tales of the time.''"''<br> | |||
''-Octavio Paz-'' | |||
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== [[User:karagiorgos|Georgios]]: [[/Paper Interiors/]] == | |||
[[File:gym-office 1.jpg|thumb|Gymn Office]] | |||
My personal interest during this semester lied in the complexity met in working environments. Architecture, facilities and equipment in working environments in many cases appear to be complex because of the apportionment of labor and the development of technology. The image of an interior does not always explains a lot about its character and sometimes perception is mislead | |||
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