GMU:Provokative Architektur/Jeremy Booth: Difference between revisions

During the next weeks I will undertake a number of loose experiments around the idea of ''' 'barrier free' culture and heritage''' sites and initiatives.

Thinking about the art historical context of some of the woodland and lake areas outside of Dresden. These areas were of course used by the Fauvists (and others associated with Expressionism) as a place where they could enjoy nature and the company of others while also creating, and furthering the ideas behind their art.  

site, persons

Interested in the intangable elements of the New Zealand landscape, including the idea of a recent pre-historic past, Maori and Polynesian mythology and other non-material concepts (such as [http://www.maoridictionary.co.nz/index.cfm?dictionaryKeywords=whakapapa&search.x=0&search.y=0&n=1&idiom=&phrase=&proverb=&loan= whakapapa] and [http://http://www.maoridictionary.co.nz/index.cfm?dictionaryKeywords=mauri&search.x=0&search.y=0&n=1&idiom=&phrase=&proverb=&loan= mauri]) and extinct species. These elements are not necessarily mutually exclusive. For example, the evocation of certain extinct species, also evokes a pre-historic or pre-European history as well as the modern-day mythology that these species have come to be a part of.