93
edits
Beth Hughes (talk | contribs) No edit summary |
Beth Hughes (talk | contribs) No edit summary |
||
Line 1: | Line 1: | ||
Artefacts | ==Artefacts== | ||
1. A hazy Mediterranean scene, high-rise hotels with colourful flowers and towels draped over balconies, a | :'''1.''' A hazy Mediterranean scene, high-rise hotels with colourful flowers and towels draped over balconies, a confusion of TV antennae from their roofs. | ||
2. A large angular grey structure, displaced, on a stretch of sand at the shore. | :'''2.''' A large angular grey structure, displaced, on a stretch of sand at the shore. | ||
3. Blocky buildings with rows of windows seemingly inserted into a cliff face following the curvature of the coastal geography. | :'''3.''' Blocky buildings with rows of windows seemingly inserted into a cliff face following the curvature of the coastal geography. | ||
4. A pier-like structure aggressively jutting out into the sea. | :'''4.''' A pier-like structure aggressively jutting out into the sea. | ||
5. A vast floating concrete object obscuring the landscape, light and shade revealing its acute angles. | :'''5.''' A vast floating concrete object obscuring the landscape, light and shade revealing its acute angles. | ||
6. A close up shot of pink flowers in bloom, perhaps Rhododendrons, unfocused. | :'''6.''' A close up shot of pink flowers in bloom, perhaps Rhododendrons, unfocused. | ||
7. An empty swimming pool, an immense inverse shape. | :'''7.''' An empty swimming pool, an immense inverse shape. | ||
8. A plainly furnished hotel room, yellowing white walls, a small gilt frame holding a reproduction print of a surrealist painting above an unmade bed. | :'''8.''' A plainly furnished hotel room, yellowing white walls, a small gilt frame holding a reproduction print of a surrealist painting above an unmade bed. | ||
9. A hairpin bend in a road, a vast convex form emerging from the tarmac on the inner curve of the road. | :'''9.''' A hairpin bend in a road, a vast convex form emerging from the tarmac on the inner curve of the road. |
edits