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The installation uses several still objects for metaphorizing six independent but adjacent spaces. | The installation uses several still objects for metaphorizing six independent but adjacent spaces.<br> | ||
Those objects, which could be a reflection of the old time, are forsaken memory keepers . They are silent, unless being touched will they start to mutter. Since they murmur in a whispering way, participants need to pick them up and get close enough to listen as well as to feel the texture of those daily clips. | Those objects, which could be a reflection of the old time, are forsaken memory keepers . They are silent, unless being touched will they start to mutter. Since they murmur in a whispering way, participants need to pick them up and get close enough to listen as well as to feel the texture of those daily clips. | ||
The work functions as a serious of living organism with or without the presence and interactions of spectators. | The work functions as a serious of living organism with or without the presence and interactions of spectators. <br> | ||
When spectators have no action, the installation create its own dialogue by constructing an abstract and intangible space which symbolize a si-he-yuan (a chinese style residence with yard). | When spectators have no action, the installation create its own dialogue by constructing an abstract and intangible space which symbolize a si-he-yuan (a chinese style residence with yard).<br> | ||
And when participants penetrate into the work space and interact with the objects, a reallife context will be substantialized by sound. | And when participants penetrate into the work space and interact with the objects, a reallife context will be substantialized by sound. | ||
[[File:stillnotitle_cover.jpg|600px]] | [[File:stillnotitle_cover.jpg|600px]] |
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