Nickdrashner (talk | contribs) No edit summary |
Nickdrashner (talk | contribs) No edit summary |
||
| Line 4: | Line 4: | ||
I find that I’m interested in the subtle edges of perception. Often times when I use spatialization effects in theatre, I like to create the illusion of an augmented space, and then find the point at which those effects are barely perceived. | I find that I’m interested in the subtle edges of perception. Often times when I use spatialization effects in theatre, I like to create the illusion of an augmented space, and then find the point at which those effects are barely perceived. | ||
In electronic music I’ve always been very drawn to sounds that seem to fall somewhere between sounding acoustic and synthesized, as if they | In electronic music I’ve always been very drawn to sounds that seem to fall somewhere between sounding acoustic and synthesized, as if they they could come from the real world, but are defamiliarized in some way. | ||
Revision as of 16:29, 16 April 2013
My name is Nick Drashner. Portfolio -> Drashner.com
Interests
I find that I’m interested in the subtle edges of perception. Often times when I use spatialization effects in theatre, I like to create the illusion of an augmented space, and then find the point at which those effects are barely perceived.
In electronic music I’ve always been very drawn to sounds that seem to fall somewhere between sounding acoustic and synthesized, as if they they could come from the real world, but are defamiliarized in some way.
Previous Work
Here is the first piece I worked on involving the Kinect to control sound.
description of the piece ->Transport Phenomena
<videoflash type=vimeo>35363018|500|281</videoflash>
My collaboration interest
I have experience in granular synthesis and spatialization, and interactive work using the Microsoft Kinect.
Project Idea
to be continued...
Platforms
Pd, Max/MSP, Ableton Live, a little C++