EKK:LoFi Sounds in HiFi Spaces/Convergence: Difference between revisions

Revision as of 12:23, 4 May 2013

Idea

Separate sound streams from Weimar or a collection of motifs that are being manipulated or improvised on (natural, mechanized... sounds) >> mixtures and or dialogue.

Movement within this (scenic?) installation is being tracked and controls the convergence / divergence of sounds creating new sonic structures (> convolution). Simutaenously controlling light, which guides through space, giving directions or hints on upcoming sonic events (rules and changes).

Light and sound play with expectations: creating tension in ambiguous virtual spaces between seeing and hearing, rather than visualizing / sonifying each other. Rules of dramatization / interaction change in time, shaped by the visitors actions.

Possible other elements: temperature (> light colors), corporeal hearing, scent (e.g. eucalyptus).

Participants

anybody feel welcome!

Links

Maryanne Amacher: Headrhythm & Plaything > otoacoustic emissions.
Jaroslaw Kapuscinski: works: seein-hearing
Georg Klein: TRASA warszawa-berlin
Kaffe Matthews: Music for Bodies
Randy H. Yau, Scott Arford: Infrasonics live in Paris

Literature

Caclin, Anne et al.: Tactile "capture" of audition
Hope, Cat: Silence As Stillness? Sonic Experiences in Art using Infrasonics
Ouzounian, Gascia: Embodied Sound: Aural Architectures and the Body
Schroeder, Franziska: Bodily Instruments and Instrumental Bodies: Critical Views on the Relation of Body and Instrument in Technologically Informed Performance Environments

@@ Line 7: / Line 7: @@
 Light and sound play with expectations: creating tension in ambiguous virtual spaces between seeing and hearing, rather than visualizing / sonifying each other. Rules of dramatization / interaction change in time, shaped by the visitors actions.
-Possible other elements: temperature (> light colors), corporeal hearing, scent (e.g. eucalyptus.
+Possible other elements: temperature (> light colors), corporeal hearing, scent (e.g. eucalyptus).
@@ Line 18: / Line 18: @@
-===Links & Literature===
+===Links===
+* Maryanne Amacher: [https://www.youtube.com/watch?v=_MahrtRVhkA Headrhythm & Plaything] > otoacoustic emissions.
+* Jaroslaw Kapuscinski: [http://www.jaroslawkapuscinski.com/work.html works: seein-hearing]
+* Georg Klein: [https://vimeo.com/26581215# TRASA warszawa-berlin]
+* Kaffe Matthews: [https://vimeo.com/26954210 Music for Bodies]
+* Randy H. Yau, Scott Arford: [https://www.youtube.com/watch?v=EdfrRMXBRWM Infrasonics live in Paris]
+===Literature===
+* Caclin, Anne et al.: [http://link.springer.com/article/10.3758/BF03194730#page-1 Tactile "capture" of audition]
+* Hope, Cat: [http://mass.nomad.net.au/wp-content/uploads/cade/CADEproceedings/CADE/CADE%20Papers.pdf/HOPE.pdf Silence As Stillness? Sonic Experiences in Art using Infrasonics]
+* Ouzounian, Gascia: [http://www.tandfonline.com/doi/pdf/10.1080/07494460600647360 Embodied Sound: Aural Architectures and the Body]
+* Schroeder, Franziska: [http://www.tandfonline.com/doi/pdf/10.1080/07494460600647360 Bodily Instruments and Instrumental Bodies: Critical Views on the Relation of Body and Instrument in Technologically Informed Performance Environments]