No edit summary |
|||
| (19 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
== Markéta Filipová == | == Markéta Filipová == | ||
PART 0 /// ''THE NOTES'' | |||
[[File:notes1.jpg]][[File:notes2.jpg]][[File:notes3.jpg]][[File:notes4.jpg]][[File:notes5.jpg]][[File:notes6.jpg]] | |||
PART 1 /// ''NOTEBOOK THAT PLAYS'' | PART 1 /// ''NOTEBOOK THAT PLAYS'' | ||
Assignment - Improbable switch - I created several variants of conductive <br>paper/notebook/postcard, which play by writing or drawing on them with <br>a graphite pencil. I used the conductivity of graphite and tried to work <br>with classical artistic technique of drawing, upgrading it by plugging <br>the components to an electrical circuit with a speaker (555 timer/monostable mode). | Assignment - ''Improbable switch'' - I created several variants of conductive <br>paper/notebook/postcard, which play by writing or drawing on them with <br>a graphite pencil. I used the conductivity of graphite and tried to work <br>with classical artistic technique of drawing, upgrading it by plugging <br>the components to an electrical circuit with a speaker (555 timer/monostable mode). | ||
[[File:notebook1.jpg]][[File:notebook2.jpg]][[File:notebook3.jpg]][[File:notebook4.jpg]][[File:notebook5.jpg]][[File:notebook6.jpg]] | [[File:notebook1.jpg]][[File:notebook2.jpg]][[File:notebook3.jpg]][[File:notebook4.jpg]][[File:notebook5.jpg]][[File:notebook6.jpg]] | ||
| Line 13: | Line 17: | ||
PART 2 /// ''EXPERIMENT'' | PART 2 /// ''EXPERIMENT'' | ||
Assigment - Variable resistance - I went on with the idea of playing paper/drawing/painting and I tried different techniques like graphite, salty watercolor, potato stamp, different shapes of the graphite nets. | Assigment - ''Variable resistance'' - I went on with the idea of playing <br>paper/drawing/painting and I tried different techniques like graphite,<br> salty watercolor, potato stamp, different shapes of the graphite nets. | ||
[[File:resistence1.jpg]][[File:resistence2.jpg]][[File:resistence3.jpg]][[File:resistence4.jpg]][[File:resistence5.jpg]][[File:resistence6.jpg]][[File:resistence7.jpg]] | [[File:resistence1.jpg]][[File:resistence2.jpg]][[File:resistence3.jpg]][[File:resistence4.jpg]][[File:resistence5.jpg]][[File:resistence6.jpg]][[File:resistence7.jpg]] | ||
| Line 20: | Line 24: | ||
PART 3 /// ''PERSONAL QUIET'' | PART 3 /// ''THE PERSONAL QUIET'' | ||
Assigment - My own project - I tuned the sound of my 555 monostable mode circuit on my own tinnitus tone, that I can hear in my right ear. Than I created series of soft graphite drawings, that can be connected to the electric circuit. The sound of the drawings can be modified by touching it. | Assigment - ''My own project'' - I tuned the sound of my 555 monostable mode<br> circuit on my own tinnitus tone, that I can hear in my right ear. Than I created <br>series of soft graphite drawings, that can be connected to the electric circuit. <br>The sound of the drawings can be modified by touching it. | ||
I worked with several different ideas in this project: <br> | I worked with several different ideas in this project: <br> | ||
1/ piece of art generating a sound by itself, using its own physical properties <br> | 1/ piece of art generating a sound by itself, using its own physical properties <br> | ||
2/ inviting the spectator to touch the very personal piece of art, giving him or her the possibility to change the condition of the artwork for a little while. <br> | 2/ inviting the spectator to touch the very personal piece of art, giving him or her <br>the possibility to change the condition of the artwork for a little while. Letting <br>the drawings live their own life, getting dirty, maybe destroyed by being <br>touched by many people. <br> | ||
3/ connecting two different | 3/ connecting two different and contrasting sides of artwork - personal and <br>almost spiritual aspect of lacking the real silence and very technical solution<br> of connecting the drawing to the electric circuit. | ||
FOR THE HD QUALITY GO TO vimeo.com: | |||
https://vimeo.com/149007500 | |||
[[File:draving4.jpg]][[File:draving5.jpg]][[File:drawing6.jpg]][[File:drawing7.jpg]][[File:draving0.jpg]] | |||
PART 4 /// ''ELECTRONIC REMAIN PAINTING'' | |||
I saved the old cartridges from printers we found in a trash, I found out <br>that there is still a usable amount of inks inside the cartridges that can <br>be used as a watercolor paint. I broke the cartridges, washed out all the <br>ink carefully and made a pure CMYK paintings inspired by the worlds <br>biggest precious metals mines.<br> | |||
[[File:remains1_rsz.jpg]] | |||
[[File:remains2_rsz.jpg]] | |||
[[File:paint1.jpg]][[File:paint2.jpg]][[File:paint3.jpg]][[File:paint4.jpg]] | |||
Latest revision as of 11:26, 10 February 2016
Markéta Filipová
PART 0 /// THE NOTES
PART 1 /// NOTEBOOK THAT PLAYS
Assignment - Improbable switch - I created several variants of conductive
paper/notebook/postcard, which play by writing or drawing on them with
a graphite pencil. I used the conductivity of graphite and tried to work
with classical artistic technique of drawing, upgrading it by plugging
the components to an electrical circuit with a speaker (555 timer/monostable mode).
PART 2 /// EXPERIMENT
Assigment - Variable resistance - I went on with the idea of playing
paper/drawing/painting and I tried different techniques like graphite,
salty watercolor, potato stamp, different shapes of the graphite nets.
PART 3 /// THE PERSONAL QUIET
Assigment - My own project - I tuned the sound of my 555 monostable mode
circuit on my own tinnitus tone, that I can hear in my right ear. Than I created
series of soft graphite drawings, that can be connected to the electric circuit.
The sound of the drawings can be modified by touching it.
I worked with several different ideas in this project:
1/ piece of art generating a sound by itself, using its own physical properties
2/ inviting the spectator to touch the very personal piece of art, giving him or her
the possibility to change the condition of the artwork for a little while. Letting
the drawings live their own life, getting dirty, maybe destroyed by being
touched by many people.
3/ connecting two different and contrasting sides of artwork - personal and
almost spiritual aspect of lacking the real silence and very technical solution
of connecting the drawing to the electric circuit.
FOR THE HD QUALITY GO TO vimeo.com:
https://vimeo.com/149007500
PART 4 /// ELECTRONIC REMAIN PAINTING
I saved the old cartridges from printers we found in a trash, I found out
that there is still a usable amount of inks inside the cartridges that can
be used as a watercolor paint. I broke the cartridges, washed out all the
ink carefully and made a pure CMYK paintings inspired by the worlds
biggest precious metals mines.
