474
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GMU:BioArt WS16/Fernanda Caicedo (view source)
Revision as of 19:47, 17 January 2017
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PAST: Represented by geometric schemes of animals originative of the indigenous culture “Salasaca” of the center zone of Ecuador (Province of Tungurahua). | PAST: Represented by geometric schemes of animals originative of the indigenous culture “Salasaca” of the center zone of Ecuador (Province of Tungurahua). | ||
In the indigenous consmovision art is one of the esencial ways of transmition of the coulture and ancestral teachings, its also a tool of identification and vehicle of expresion. The indigenous culture characteryced by its conscientious relationship of dependence with the forces of nature and the constant feedback trohgth of counsciest energy by means of a lifestyle close to nature and gratitude rituals wich includes offerings. | In the indigenous consmovision art is one of the esencial ways of transmition of the coulture and ancestral teachings, its also a tool of identification and vehicle of expresion. The indigenous culture characteryced by its conscientious relationship of dependence with the forces of nature and the constant feedback trohgth of counsciest energy by means of a lifestyle close to nature and gratitude rituals wich includes offerings. | ||
[[File:rana.jpg|400px]] | |||
[[File:chivo1.jpg|400px]] | |||
[[File:pato.jpg|400px]] | |||
PRESENT: My being and being, represented by my boddy. My external actual condition, the skin I live in, that covers my being and allows me to interact with this phisical reality and with another forms of life wicht accommodate in simbiosis for surviving: bacteria. | PRESENT: My being and being, represented by my boddy. My external actual condition, the skin I live in, that covers my being and allows me to interact with this phisical reality and with another forms of life wicht accommodate in simbiosis for surviving: bacteria. | ||