GMU:Process as Paradigm: Difference between revisions

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[[:Category:Fachmodul|Fachmodul]]<br>
[[:Category:Fachmodul|Fachmodul]]<br>
''Lehrperson(en):'' Dr. [[Susanne Jaschko]], Prof. [[Ursula Damm]], (begleitend)<br/>
''Lehrpersonen:'' Dr. [[Susanne Jaschko]], Prof. [[Ursula Damm]] (begleitend)<br/>
''Bewertung:'' 6 [[ECTS]], 4 [[SWS]]<br/>
''Bewertung:'' 6 [[ECTS]], 4 [[SWS]]<br/>
''Termin:''Four times Friday, 13:30 - 19:00 and Saturday, 10:00 to 17:00<br/>
''Termin:'' Four times Friday, 13:30 - 19:00 and Saturday, 10:00 to 17:00<br/>
''Ort:'' [[Marienstraße 7b]], Raum 103<br/>
''Ort:'' [[Marienstraße 7b]], Raum 103<br/>
''Erster Termin:'' 07.05.2010
''Erster Termin:'' 07.05.2010
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* [[GMU:From generative to living image]]
* [[GMU:From generative to living image]]
* [[GMU:Processual art: Life sciences and the social/political agenda]]
* [[GMU:Processual art: Life sciences and the social/political agenda]]
* [[GMU:From Process Art to Processual Art]]


==Voraussetzungen==
==Voraussetzungen==
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The class will be held by Dr. Susanne Jaschko, a Berlin based independent curator and researcher in contemporary visual and electronic art.
The class will be held by Dr. Susanne Jaschko, a Berlin based independent curator and researcher in contemporary visual and electronic art.


In order to become a participant of this class, please register by sending an e-mail to Kristina.Hellmann@uni-weimar.de, stating your name and course of studies.
In order to become a participant of this class, please register by sending an e-mail to Kristina.Hellmann{_at_}uni-weimar.de, stating your name and course of studies.


Registrations will only be accepted until 16 April.
Registrations will only be accepted until 16 April.
Line 38: Line 39:


==Syllabus==
==Syllabus==
* Freitag, 7.5. 13:30 Uhr bis 19:00 Uhr
The door to the building Marienstraße 5 is closed after 18h and on weekends. To enter the building get your thoska-card registered with Mrs. Hellmann, 1st floor! You can also try the door at Marienstraße 7 which is open until a little bit later, but neither on the weekend.
* Samstag, 8.5. 10:00 Uhr bis 17:00 Uhr
* Freitag, 14.5. 13:30 Uhr bis 19:00 Uhr
* Samstag, 15.5. 10:00 Uhr bis 17:00 Uhr
* Freitag, 21.5. 13:30 Uhr bis 19:00 Uhr
* Samstag, 22.5. 10:00 Uhr bis 17:00 Uhr
* Freitag, 28.5. 13:30 Uhr bis 19:00 Uhr
* Samstag, 29.5. 10:00 Uhr bis 17:00 Uhr


==Bibliography ''will be provided successively''==
* Friday, 7.5. 13:30 to 19:00 h
* Saturday, 8.5. 10:00 to bis 17:00 h
* Friday, 14.5. 13:30 to bis 19:00 h
* Saturday, 15.5. 10:00 to bis 17:00 h
* Friday, 21.5. 13:30 to bis 19:00 h
* Saturday, 22.5. 10:00 to bis 17:00 h
* Friday, 28.5. 13:30 to bis 19:00 h
* Saturday, 29.5. 10:00 to bis 17:00 h
 
==Bibliography ''(will be provided successively)''==
* [http://www.uni-weimar.de/cms/universitaet/zentrale-einrichtungen/universitaetsbibliothek/recherche/semesterapparate/semesterapparate-medien/neu-medien-semesterapparate/ms-2010-14.html Semesterapparat in der Limona]
* [http://www.uni-weimar.de/cms/universitaet/zentrale-einrichtungen/universitaetsbibliothek/recherche/semesterapparate/semesterapparate-medien/neu-medien-semesterapparate/ms-2010-14.html Semesterapparat in der Limona]
* [http://www.sujaschko.de/en/curating/exhibitions/process.html download curators' notes on Process as Paradigm]
* [http://www.sujaschko.de/en/curating/exhibitions/process.html download curators' notes on Process as Paradigm]
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* Bruno Latour, Pandora's Hope. Essays on the Reality of Science Studies, Harvard Univ Pr, 1999 ISBN 978-0674653368
* Bruno Latour, Pandora's Hope. Essays on the Reality of Science Studies, Harvard Univ Pr, 1999 ISBN 978-0674653368
* Jonathan Crary, Spectacle, Attention, Counter-Memory, In: October, Vol. 50, (Autumn, 1989), pp. 96-107, The MIT Press, [http://www.jstor.org/stable/778858 Jstor access], [http://books.google.de/books?id=8jPwJsJKXn8C&pg=PA455&lpg=PA455&dq=crary+spectacle,+attention+counter-memory&source=bl&ots=pMqCFU1h5R&sig=PHsMEiAXcbNTgB84Ba3PwlCR5_A&hl=de&ei=Bby1S7nIKpL9_AaF2qzdDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CBIQ6AEwAg#v=onepage&q=crary%20spectacle%2C%20attention%20counter-memory&f=false Preview on Google-Books]
* Jonathan Crary, Spectacle, Attention, Counter-Memory, In: October, Vol. 50, (Autumn, 1989), pp. 96-107, The MIT Press, [http://www.jstor.org/stable/778858 Jstor access], [http://books.google.de/books?id=8jPwJsJKXn8C&pg=PA455&lpg=PA455&dq=crary+spectacle,+attention+counter-memory&source=bl&ots=pMqCFU1h5R&sig=PHsMEiAXcbNTgB84Ba3PwlCR5_A&hl=de&ei=Bby1S7nIKpL9_AaF2qzdDg&sa=X&oi=book_result&ct=result&resnum=3&ved=0CBIQ6AEwAg#v=onepage&q=crary%20spectacle%2C%20attention%20counter-memory&f=false Preview on Google-Books]
* [http://www.leonardo.info/isast/articles/shanken.html Edward A. Shanken: Technology and Intuition: A Love Story? Roy Ascott's Telematic Embrace]
* Pau Asina, Omnes et Singulatim: Art, Complexity and Emergence, In: ZEHAR-66, Edit. Gipuzkoako Foru Aldunia - Arteleku, ISSN 1699-9533.
* Arjen Mulder, The Exercise of Interactive Art, In: Interact or Die!, Edit. Arjen Mulder and Joke Brouwer, V_2_Publishing, 2007, ISBN 978-90-5662-577-1.
* [http://www.cddc.vt.edu/host/delanda/pages/becoming.htm Manuel DeLanda, Deleuze and the open-ended becoming of the world]
* [http://www.aaschool.ac.uk/publications/ea/intro.html John Frazer, An Evolutionary Architecture]
* [http://www.youtube.com/watch?v=50-d_J0hKz0&feature=related Manuel DeLanda: Deleuze and use of genetic algorithm in architecture (lecture/video)]
* [http://www.transformationsjournal.org/journal/issue_14/article_04.shtml Rowan Wilken, Calculated Uncertainty: Computers, Chance Encounters, and "Community" in the Work of Cedric Price, In: Transformations, Issue No. 14  March 2007 — Accidental Environments]
 


German Editions in the UB
German Editions in the UB
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==Links==
==Links==
* [http://www.subtle.net/empyre/  EmpyreDiscussion]
* [http://www.we-make-money-not-art.com/ WeMakeMoneyNotArt]
* [http://www.portalkunstgeschichte.de/  ProotalKunstgeschichte]
* [http://www.arte.tv/de/suche/2862638.html Arte-TV]
* [http://picasaweb.google.com/biomoddlba2  Biomodd]
* [http://lab-au.com/ Metalab02 BinaryWaves]
* [http://www.rybn.org/  RybnOrg]
* [http://rybn.free.fr/ANTI/INDEXFRAME.html  AntiDataMining]
* [http://vimeo.com/11134949  Territoris Oblidats]
* [http://www.realsnailmail.net/  RealSnailMail]
* [http://www.generatorx.no/  GeneratorX]
* [http://www.unlekker.net/  MariusWatz]
* [http://www.symbiotica.uwa.edu.au/  Symbiotica]
* [http://www.artsgenomics.org/  Tagc ArtsAndGenomicsCentrum Leiden,NL]
* [http://www.annadumitriu.co.uk/  AnnaDumitriu]
* [http://www.archive.org/web/web.php  The wayback machine]
* [http://www.socialfiction.org/psychogeography/algoeng.htm  socialfiction.org Algorithmic Psychogeography]
* [http://www.conditionaldesign.org/ Conditional Design]
* [http://www.cna.org/isaac/glossb.htm Glossary Nonlinear Dynamics and Complex Systems Theory]
''Open Source''
* [http://www.superflex.net/projects/freebeer/ Superflex - FreeBeer]
* [http://ospublish.constantvzw.org/ Open source Publshing]
* [http://www.davidbenque.com/projects/fabulous-fabbers DavidBenqué]


[[Category:Fachmodul]]
[[Category:Fachmodul]]

Latest revision as of 09:16, 29 May 2010

Fachmodul
Lehrpersonen: Dr. Susanne Jaschko, Prof. Ursula Damm (begleitend)
Bewertung: 6 ECTS, 4 SWS
Termin: Four times Friday, 13:30 - 19:00 and Saturday, 10:00 to 17:00
Ort: Marienstraße 7b, Raum 103
Erster Termin: 07.05.2010

Beschreibung

Prozess als Paradigma der Medienkunst und Kultur
Die Veranstaltung stellt den Begriff des Prozessualen in den Mittelpunkt und diskutiert „Prozess“ als Paradigma der Medienkunst und darüber hinaus als Perspektive auf die Gegenwart. Im Seminar werden im Rückgriff auf die Medientheorie „Prozess“ in Abgrenzung zur Interaktivität und Performativität bestimmt (Baudrillard, Kittler, Deleuze etc.) und auch die Naturwissenschaften im Hinblick auf Systemtheorie und ihrem Verständnis von „Prozess“ herangezogen. Historische und zeitgenössische Beispiele der Medienkunst und ihre Genres (z.B. Bioart, Generative Kunst, kollaborative netzbasierte Kunst) werden auf ihre Prozessualität hin untersucht und Möglichkeiten der Präsentation, Dokumentation und Archivierung erörtert und entworfen. Das Seminar knüpft an die Ausstellung „Process is Paradigm“ im Laboral, Gijòn, Spanien an. Seminarergebnisse sollen im Weblog des Ausstellungsprojektes veröffentlicht werden.

English description

Process as paradigm
The seminar focuses on 'process' as one paradigm of media art and introduces it as a valid perspective on the present. Relevant theories on interactivity and performativity will be consulted for precise definitions of ‘process’ and ‘processuality’, so are natural sciences and systems theory. Historic and contemporary media art and its genres such as bio art, generative art, and collaborative net-based art will be studied with regard to inherent processual qualities and possibilities of presentation, documentation and archiving. The seminar is loosely linked to the exhibition ‘Process is Paradigm’ at Laboral, Gijòn, Spain.

Themen

Voraussetzungen

k.A.

Anmeldung

The class will be held by Dr. Susanne Jaschko, a Berlin based independent curator and researcher in contemporary visual and electronic art.

In order to become a participant of this class, please register by sending an e-mail to Kristina.Hellmann{_at_}uni-weimar.de, stating your name and course of studies.

Registrations will only be accepted until 16 April.

Leistungsnachweis

The findings of the seminar are to be published as papers (course assessments) in the project’s weblog. Leistungsnachweise sind als Hausarbeiten zu erbringen. Aktive Teilnahme, Präsentation, künstlerische Prüfung, Dokumentation, Eintrag im Wiki.

Zielgruppe

This is an offer especially for the students of the English study program “Media Art and Design”. If the maximum number of participants is not exceeded, other students are welcome to attend (after registration).

Syllabus

The door to the building Marienstraße 5 is closed after 18h and on weekends. To enter the building get your thoska-card registered with Mrs. Hellmann, 1st floor! You can also try the door at Marienstraße 7 which is open until a little bit later, but neither on the weekend.

  • Friday, 7.5. 13:30 to 19:00 h
  • Saturday, 8.5. 10:00 to bis 17:00 h
  • Friday, 14.5. 13:30 to bis 19:00 h
  • Saturday, 15.5. 10:00 to bis 17:00 h
  • Friday, 21.5. 13:30 to bis 19:00 h
  • Saturday, 22.5. 10:00 to bis 17:00 h
  • Friday, 28.5. 13:30 to bis 19:00 h
  • Saturday, 29.5. 10:00 to bis 17:00 h

Bibliography (will be provided successively)


German Editions in the UB

  • Gumbrecht, Hans Ulrich: Diesseits der Hermeneutik: die Produktion von Präsenz ISBN 3518123645
  • Baudrillard, Jean: Der unmögliche Tausch ISBN 3883961612
  • Latour, Bruno: Die Hoffnung der Pandora: Untersuchungen zur Wirklichkeit der Wissenschaft ISBN 3518582968

Links


Open Source