GMU:Habitats SS18/Leoni Fischer: Difference between revisions

Revision as of 07:59, 16 June 2018

„Nothing is motionless in the eyes of the rhythmanalyst. He hears wind, rain, thunderstorm. In observing a pebble a wall or a tree he precieves the slowness of movements of these objects. Their movement is slow only in proportion to our time, our bodies, our rhythms.“ //Kurt Meyer, Rhythms, Streets, Cities

For Euglena Time i am doing experimentation around 5 main correlations that define the concept of rhythm:

mechanical and organic - merging technological and natural, linear and circular time repetition and difference - understanding Euglenas circular rhythm of time continous and discontinous - studying the unique rhythms of each Euglena culture discovery and creation - observing the rhythms of Euglena and creating a habitat for them

The goal is to create an hourglass a technological, linear timepiece which forms a habitat for Euglenas natural, circular rhythms of time.

@@ Line 1: / Line 1: @@
-First series of my experiments with Euglena.
+„Nothing is motionless in the eyes of the rhythmanalyst. He hears wind, rain, thunderstorm. In observing a pebble a wall or a tree he precieves the slowness of movements of these objects. Their movement is slow only in proportion to our time, our bodies, our rhythms.“
-How does Euglena react to a technological rhythm?
+//Kurt Meyer, Rhythms, Streets, Cities
-[[:File:Euglena Report_1.pdf]]
+For Euglena Time i am doing experimentation around 5 main
+correlations that define the concept of rhythm:
+mechanical and organic  - merging technological and natural, linear and circular time
+repetition and difference  - understanding Euglenas circular rhythm of time
+continous and discontinous - studying the unique rhythms of each Euglena culture
+discovery and creation - observing the rhythms of Euglena and creating a habitat for them
+The goal is to create an hourglass a technological, linear timepiece which forms a habitat for Euglenas natural, circular rhythms of time.