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== | == Project == | ||
together with [https://www.uni-weimar.de/kunst-und-gestaltung/wiki/GMU:Media_Art_Strategies/Clemens_Hornemann Clemens Hornemann] | |||
== Tasks == | |||
=== Task 1 === | |||
=== | It is hard for me to pick one favourite artwork as they all pursue very different strategies. | ||
Julian Oliver’s ''Men in Grey'' captures the ''Zeitgeist'' of the uncontrollable rise of WiFi within our lives, while exposing us to our technological life, defined by groups and organizations that are beyond our own reach, without fear mongering or shaming us for our digital life. While the ''Men in Grey'' exposed one concerning facet of our daily life, the ''Yes Men'' achieve to confront us with the grim reality of a capitalistic economy in various ways and their ability and relentlessness to repeat variations of their media activistic stunts just makes abundantly clear, that change takes time and the will and courage of a few individuals that are in power. | |||
Besides the politically motivated works, I find great pleasure in simplistic works like David Bowen’s ''Tele-present water'', while simple in concept, it focuses on the relation between our perceived world and the world of a buoy station at an unknown location, highlighting that even when not perceived by us the ocean is, was and always will be moving relentlessly, whether we are there to perceive it or not. | |||
Even though its technical implementation is marvelous, what intrigues me the most about Random international’s ''Rain Room'' is its ability to convey the viewer an alternate reality, where it is not the rain that is repelled by us, but we repel the rain and how this simple change might change our behaviour and perception of the space around us. | |||
[[:File:media-art-strategies_telegarden_slide.pdf|Slide Telegarden (Ken Goldberg & Joseph Santarromana)]] | |||
[[:File:media-art-strategies_telegarden_slide.pdf]] | |||
Latest revision as of 10:41, 14 September 2022
Project
together with Clemens Hornemann
Tasks
Task 1
It is hard for me to pick one favourite artwork as they all pursue very different strategies. Julian Oliver’s Men in Grey captures the Zeitgeist of the uncontrollable rise of WiFi within our lives, while exposing us to our technological life, defined by groups and organizations that are beyond our own reach, without fear mongering or shaming us for our digital life. While the Men in Grey exposed one concerning facet of our daily life, the Yes Men achieve to confront us with the grim reality of a capitalistic economy in various ways and their ability and relentlessness to repeat variations of their media activistic stunts just makes abundantly clear, that change takes time and the will and courage of a few individuals that are in power.
Besides the politically motivated works, I find great pleasure in simplistic works like David Bowen’s Tele-present water, while simple in concept, it focuses on the relation between our perceived world and the world of a buoy station at an unknown location, highlighting that even when not perceived by us the ocean is, was and always will be moving relentlessly, whether we are there to perceive it or not.
Even though its technical implementation is marvelous, what intrigues me the most about Random international’s Rain Room is its ability to convey the viewer an alternate reality, where it is not the rain that is repelled by us, but we repel the rain and how this simple change might change our behaviour and perception of the space around us.