Latest revision as of 09:45, 13 June 2024

Wind in Leaves//Ash like Snow

- on the aesthetics of the apocalypse (Book)

first approach as a booklet:

https://drive.google.com/file/d/1_opNeoL1DA8hdrStSuUZlZsLz4jYd5xU/view]

The style of this first attempt does not reflect the approach of the final product!

VISUAL MOCKUP Fabric - stained with ash and coal, photo(transfer-print)grid 4:3 hanging from ceiling functioning as "projection canvas" for imagination triggered by sound installation

PRESENTAION SCRIPTS (Dérive - Guy Debord + Rhythmanalysis - Lefebvre)

https://drive.google.com/file/d/1YiQknjFR6GI_zPs28w-4zA_IIky2XwTR/view?usp=sharing

ATTENTION, ORGANISATION, ACTION

https://drive.google.com/file/d/1r4oWC5BYb7dQXs86xae-yocI5a7Xbd7v/view

EXERCISE:

https://drive.google.com/file/d/13KLBsXhQn7jDdHCKkk0pUiUaa6f3NFmM/view

@@ Line 1: / Line 1: @@
-== '''''Like Wind in Leaves and Ash like Snow''''' ==
+= '''''Wind in Leaves//Ash like Snow''''' =
-=== '''''- on the aesthetics of the apocalypse''''' ===
+=== '''''- on the aesthetics of the apocalypse (Book)''''' ===
+[[File:Ash like snow print out copy (dragged) 2.png|thumb|502x502px]]
 first approach as a booklet:
-[https://drive.google.com/file/d/1_opNeoL1DA8hdrStSuUZlZsLz4jYd5xU/view?usp=sharing https://drive.google.com/file/d/1_opNeoL1DA8hdrStSuUZlZsLz4jYd5xU/view]
+https://drive.google.com/file/d/1_opNeoL1DA8hdrStSuUZlZsLz4jYd5xU/view]
-=== '''Concept:''' ===
-I remember leaning my head into my neck,
-I remember looking into the sky,
-Ash falls like Snow,
-Slowly,
-Weightless,
-As a child, I used to stick out my tongue to taste the first snow sometime around December,
-Snow has become rare and the ash - now - tastes bitter,
-I remember loading frightened animals in and onto dirty trucks,
-I remember driving down into a valley,
-Ash falls like Snow from the sky and the wall of fire is slowly eating its way down the mountain in front of me,
-Everything is in slow motion,
-The world is almost weightless - almost unreal,
-A child is sitting next to me at the beach and we look at burned wood being washed onto the shore,
+The style of this first attempt does not reflect the approach of the final product!
-“Everything will burn” the child says,
-Eleven years old,
-Her name is ''Zoi'',
-''Zoi'' in greek means life,
+[[File:Untitled design-3.jpg|thumb|1088x1088px]]
-Everything feels slow,
-Almost weightless,
+[[File:Screenshot 2024-05-23 at 01.07.27.png|thumb|1088x1088px]]
-Almost like a dream,
+[[File:Screenshot 2024-06-10 at 14.10.27.png|thumb|1088x1088px]]
+[[File:Screenshot 2024-06-10 at 14.10.44.png|thumb|1088x1088px]]
-Virtually unreal,
+[[File:Untitled design-2.jpg|thumb|1088x1088px]]
-Only the catastrophe alert on my phone reminds me everyday that I’m not dreaming,
-.000 hectare forest burned that summer on ''Evia'' Island Greece,
-But the scenes strangely fixed in my memory are:
+VISUAL MOCKUP
+Fabric - stained with ash and coal, photo(transfer-print)grid
+:3
+hanging from ceiling
+functioning as "projection canvas" for imagination triggered by sound installation
-The beauty of the Ash falling like Snow,
-The constant red sun, the all-day sunset,
-Clouds that were not white but black,
-The nights sky that was not black, but red,
-The Russian airplanes extinguishing the fires because of the remains of an orthodox saint in the church close by,
-And again and again: The ash like snow - White Christmas in 38 degree burning heat.
-Now I ask myself:
-What are the aesthetics of catastrophes?
-How do aesthetics relate to the un-normal?
-Will the apocalypse be beautiful?
-How much pain must be held in aesthetic experiences?
-Can everything be aesthetic when seen from a new perspective?
+PRESENTAION SCRIPTS (Dérive - Guy Debord + Rhythmanalysis - Lefebvre)
-And why do astronauts always describe the beauty of the earth once they look back at it?
+https://drive.google.com/file/d/1YiQknjFR6GI_zPs28w-4zA_IIky2XwTR/view?usp=sharing
-=== Materials: ===
 ATTENTION, ORGANISATION, ACTION