GMU:Data as Artistic Material: Difference between revisions

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'''====== Participants ======'''
'''====== Participants ======'''
*[[Maxi Götz]]
*[[/studentname|DahyeSeo]]
*[[Fred & Amelia]]
*[[Theo & Yun|ALLE:ELLA - Theo & Yun]]
*[[Parisa & Maxi]]
*[[Kevin & Sabah]]<br />





Latest revision as of 17:18, 13 August 2024

Still von audiovisual performance Orbits, based on data from satellites and their trash.

The project recognizes the diverse forms of data – private, public, environmental, live, stored, secret, past, present, and future - sourced from sensors, apps, science, governments, societies, and personal experiences. The abundance of data invites us to excavate relevant bits from the trivia pile, unveiling patterns and narratives within time and space. Unlike traditional academic research, artistic research within this project aims not to uncover a single truth but to provide subjective narratives, speculative statements, or even purely poetic approaches: Data as Dada;  artistic reflection instead of standard visualisations; analysing data settings rather than data sets.

The project will involve discussions on various data and related artworks, viewing technology as a tool to read and write realities. The objective is to interpret, translate, and experiment with the numbers offered by the world around us – a practice of data literacy: curious, competent, critical, and creative approaches to data. In addition to various inputs by the lecturers, talks by other artists are planned. Details to be confirmed.

Ultimately, this project encourages students to consider data as a new type of raw material, offering new aesthetic opportunities, extraordinary insights, and artistic expression. Emphasizing collaborative work, participants are expected to work in small teams to conceptualise, develop and realise a self-defined artwork.

A field trip is planned (probably 30.05. - 02.06.) to Brandenburg countryside, offering students insights into the life of freelance artists and their natural habitat. Focus is on collaborative practice.

Students are expected to be able and willing to work in a self-organised manner and to actively participate in the discourse of the module.

Important: If you are interested to work with A.I., please also choose the Fachmodul "Critique and (Artificial) Intelligence - Machine learning and critical theory" by Dr. Alexander König!

Meetings: Di, 09.15 -12.30 @ DBL + some non-mandatory meetings on Monday evenings (see schedule below)

Lectures by: Juliane Götz, Sebastian Neitsch (Quadrature) >>> mail[@]quadrature.co

====== Schedule ======

Meetings: Di, 09.15 -12.30 @ DBL + some non-mandatory but very recommended meetings on Monday evenings (see schedule below)

  1. Mo 15.04. introduction to data as artistic material
  2. Tu 16.04. organisation ( timetable, retreat, presentations) & human statistic
  3. Mo 22.04. 19:00 Screening
  4. Tu 23.04. input: tech stuff & defining groups
  5. Tu 30.04. input: critical data & elevator pitches of projects + feedback
  6. Tu 07.05. short dataset presentations by students (1 dataset per person) – online!
  7. Mo 13.05. 19:00 Screening - postponed to a different date (tba)
  8. Tu 14.05. project concepts (and workplan for semester) + prepping retreat
  9. Tu 21.05. consultations in project groups
  10. Tu 28..05. - no meeting
  11. Th 30.05. evening - So 02.06. morning: weekend retreat @ Funkinstitut - working session & project midterm presentations & input: data from life as artist
  12. Tu 04.06. - no meeting
  13. Mo 10.06. 19:00 input: artist talk by Simon Weckert
  14. Tu 11.06. we meet at 09:15 -> @10:00 input: artist talk by Refik Anadol
  15. Tu 18.06. - no meeting - individual consultations instead in the week before
  16. Tu 25.06. we will see what makes sense
  17. Tu 02.07. Final presentations?
  18. Tu 09.07. - Su 14.07. - preparation for Summaery? – we will see what makes sense

All dates and details may be subject to change :)

====== Participants ======


====== Some Books ======

John D. Kelleher, Brendan Tierney: Data Science, ISBN 978-0-262-53543-4

Catherine D'Ignazio, Lauren F. Klein: Data Feminism, ISBN 978-0-262-54718-5

Christoph Grünberger: The Age of Data

Luci Pangrazio, Neil Selwyn: Critical Data Literacies

Thomas Piketty: Eine kurze Geschichte der Gleichheit

====== Some Artists / Artworks ======

Simon Weckert

Anna Ridler - Myriad Tulips

Dries Depoorter

Ryoji Ikeda

Refik Anadol

Mimi Onuoha

Heather Dewey-Hagborg

!Mediengruppe Bitnik

Nicolas Maigret

Disnovation

Moon RIbas

Alexandra Daisy Ginsberg

Marco Barotti

Semiconductor

Antony Rayzhekov