Sophia Amelia: Difference between revisions

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'''What we bring to the table'''


= '''What we bring to the table''' =
With every encounter everything changes.  When we encounter one thing we encounter all other possibilities of encounter. New constellations, assemblages, contexts. This table is not static. It is not determined there are no rules, no goals. It is a situation, it is an offer for thoughts or actions. It is intervening the current flow, adapting to a new one.


With every encounter everything changes.  When we encounter one thing we encounter all other possibilities of encounter. New constellations, assemblages, contexts.
Me and the things a one. Now boarders, everything is permeable. My physical body as much as my persona.


This table is not static. It is not determined there are no rules, no goals. It is a situation, it is an offer for thoughts or actions. It is intervening the current flow, adapting to a new one.


[[File:Object.jpg]]
 
[[File:Connection.jpg]]
 
[[File:How.jpg]]
 
 
''Finding a form''
 
 
 
 
 
 
 
 
 
 
''Idea''
 
[[File:Object.jpg|300px]]
[[File:Connection.jpg|300px]]
[[File:How.jpg|300px]]
 
 
 
 
 
''Process''
 
[[File:Moldmaking.jpg|300px]]
[[File:Fillingmold.jpg|300px]]
[[File:Positiv.jpg|300px]]
[[File:Cut.jpg|300px]]
 
[[File:Blender.png|800px]]
 
 
 
 
 
 
 
 
 
 
 
 
''Texts that I liked to read that keep me from doing''
 
why do I like to read so much instead of just doing? 
 
Karen Barad - Agentieller Realismus
 
When two hands touch, there is a sensuality of the flesh, an exchange of warmth, a feeling of pressure, of presence, of a proximity of otherness that brings the other nearly as close as oneself – perhaps closer. And if the two hands belong to one person, might this not enliven an uncanny sense of the otherness of the self, a literal holding oneself at a distance in the sensation of contact, the greeting of the stranger within? So much happens in a touch: an infinity of others – other beings, other spaces, other times – are aroused. - Karen Barad
 
https://www.diaphanes.net/titel/on-touching-the-inhuman-that-therefore-i-am-v1-1-3075
 
Katrin Busch- Ohnmacht
 
https://www.textezurkunst.de/de/130/kathrin-busch-ohnmaechtig-werden-aesthetiken-der-schwachen-existenz/
 
Donna Haraway
 
Manifest für Gefährten
 
Situated Knowledge

Latest revision as of 18:27, 7 January 2025


What we bring to the table

With every encounter everything changes. When we encounter one thing we encounter all other possibilities of encounter. New constellations, assemblages, contexts. This table is not static. It is not determined there are no rules, no goals. It is a situation, it is an offer for thoughts or actions. It is intervening the current flow, adapting to a new one.

Me and the things a one. Now boarders, everything is permeable. My physical body as much as my persona.




Finding a form






Idea

Object.jpg Connection.jpg How.jpg



Process

Moldmaking.jpg Fillingmold.jpg Positiv.jpg Cut.jpg

Blender.png







Texts that I liked to read that keep me from doing

why do I like to read so much instead of just doing?

Karen Barad - Agentieller Realismus

When two hands touch, there is a sensuality of the flesh, an exchange of warmth, a feeling of pressure, of presence, of a proximity of otherness that brings the other nearly as close as oneself – perhaps closer. And if the two hands belong to one person, might this not enliven an uncanny sense of the otherness of the self, a literal holding oneself at a distance in the sensation of contact, the greeting of the stranger within? So much happens in a touch: an infinity of others – other beings, other spaces, other times – are aroused. - Karen Barad

https://www.diaphanes.net/titel/on-touching-the-inhuman-that-therefore-i-am-v1-1-3075

Katrin Busch- Ohnmacht

https://www.textezurkunst.de/de/130/kathrin-busch-ohnmaechtig-werden-aesthetiken-der-schwachen-existenz/

Donna Haraway

Manifest für Gefährten

Situated Knowledge